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Clark, John. Modernities of Chinese art. Leiden; Boston: Brill, 2010.
A Return to the top
Abe, Stanley K. Ordinary images. Chicago: University of Chicago Press, 2002.
Abe, Stanley K. Ordinary images. Chicago: University of Chicago Press, 2001.
Albertini, Claudia. Avatars and antiheroes: a guide to contemporary Chinese artists. Tokyo, Japan: Kodansha International: 2008.
Andrews, Julia F.; Shen, Kuiyi. Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China. New York: Harry N. Abrams Incorporated, 1998.
Arnold, Lauren. Princely Gifts and Papal Treasures: The Franciscan Mission to China and Its Influence on the Art of the West, 1250-1350. Sunnyvale: Desiderata Press, 1999.
Artists and patrons: some social and economic aspects of Chinese painting. (eds. Li, Chu-tsing; Cahill, James; Ho, Wai-kam; Brown, Claudia). Lawrence, KS: Kress Foundation Dept. of Art History, University of Kansas, Nelson-Atkins Museum of Art, Kansas City in association with University of Washington Press, c1989.
The arts of China after 1620. (ed. Watson, William.; Ho, Chuimei) New Haven: Yale University Press, 2007.
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Bao, Yuheng. Ancient and Classic Art of China. Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2004.
Barnhart, Richard; Yang, Xiaoneng. Chinese Art and Archaeology. New Haven: Yale University Press, 1999.
Bartholomew, Terese Tse. Hidden meanings in Chinese art. (eds., Bartholomew, Mulan, & Tsuruta, Kazuhiro) Asian Art Museum--Chong-Moon Lee Center for Asian Art and Culture. San Francisco: Asian Art Museum, 2006.
Bates, Roy. Chinese dragons. Images of Asia. New York: Oxford University Press, 2002.
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Bonds, Alexandra B.. Beijing opera costumes: the visual communication of character and culture. Honolulu, Hawaii: University of Hawai'i Press, 2008.
Bower, Virginia. From court to caravan: Chinese tomb sculptures from the collection of Anthony M. Solomon. Exhibition organized by the Arthur M. Sackler Museum, Harvard University Art Museums, on view 27 July-15 September 2002. Cambridge: Harvard University Art Museums; New Haven: Yale University Press, 2002.
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The British Museum Book of Chinese Art. (ed. Rawson, Jessica). New York: Thames & Hudson, 1996.
Burkus, Anne Gail. Through a forest of chancellors: fugitive histories in Liu Yuan's Lingyan ge, an illustrated book from seventeenth-century Suzhou. Published by the Harvard University Asia Center for the Harvard-Yenching Institute: Cambridge, MA: Harvard University Press, 2010.
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Cahill, James. The painter's practice: how artists lived and worked in traditional China. New York: Columbia University Press, 1995.
Chaffers, William. Hand-book of Marks and Monograms on Pottery & Porcelain. (Originally published 1866 by Chaffers Press. Primarily European reference.). Whitefish, Montana: Kessinger Publishing, 2008.
Cheng, Te-k'un. Studies in Chinese art. Hong Kong: Chinese University Press, 1983.
Chiang, Chen-ming. Timeless history: the rock art of China. 1st ed. Beijing, China: New World Press: Distributed by China International Book Trading Corp., 1991.
Chiang, Yee. The Chinese Eye: An Interpretation of Chinese Painting. London: Methuen, 1960.
China, 5,000 Years. (ed. Rogers, Howard). Guggenheim Museum Publications. New York: Harry N. Abrams Incorporated, 1998.
Chinese art and design: Art objects in ritual and daily life. (ed. Kerr, Rose). New York: Overlook Press, 2001.
Chinese Art: Modern Expressions. (ed. Hearn, Maxwell K.). New Haven: Yale University Press, 2001.
Chinese Connoisseurship: The Ko Ku Yao Lun. The Essential Criteria of Antiquities. (ed. trans. David, Sir Percival). London: Faber, 1971.
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Chinese Postmodernism: Boundary 2 Special Issue. (ed. Dirlik, Arif). Chinese Postmodernism Series, Vol. 24. Durham: Duke University Press, 1997.
Chiu, Melissa. Art and China's revolution. New Haven, Connecticut: Yale University Press, 2008.
Chou, Ju-hsi. Art at the Close of China's Empire. Chicago: Art Media Resources, 1999.
Chou, Ju-Hsi; Brown, Claudia. Chinese Painting under the Qianlong Emperor. Chicago: Art Media Resources, 1999.
Clarke, David J. Hong Kong art: culture and decolonization. Durham, NC: Duke University Press, 2002.
Clarke, David. Modern Chinese Art. Images of Asia Series. New York: Oxford University Press, 2000.
Cleare, John. Distant Mountains. New York: Crown Publishing Group, 1998.
Clunas, Craig. Art in China Oxford; New York: Oxford University Press, 2010.
Clunas, Craig. Pictures and Visuality in Early Modern China. Princeton: Princeton University Press, 1998.
Cohen, Joan Lebold; Cohen, Jerome Alan. China today and her ancient treasures. 3rd ed. New York: Abrams, 1985.
Contag, Victoria and Wang Chi-Ch'ien. Seals of Chinese Painters and Collectors. Hong Kong: Hong Kong University Press, 1966.
Cooke, Bill. Imperial China: The Art of the Horse in Chinese History. Goshen: Harmony House Publishers, 2000.
Crespi, John A.. Voices in revolution: poetry and the auditory imagination in modern China. Honolulu, Hawaii: University of Hawai'i Press, 2009
Cultural Revolution: An Exhibition of Chinese Avant-Garde Art. (ed. Gu, Zhenqing). New York: First Line, 2001.
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Dalai Lama XIV. Tibet, The Sacred Realm: Photographs 1880-1950. Gordonsville: Aperture Foundation, 1997.
Dirlik, Arif. Postmodernism and China. A Boundary Book Series. Durham: Duke University Press, 2000.
Donnelly, Neal. A Journey Through Chinese Hell: "Hell Scrolls" of Taiwan. Taipei: Artist Publishing Company, 1990.
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Edwards, Richard. The World Around the Chinese Artist: Aspects of Realism in Chinese Painting. Michigan Classics in Chinese Studies, No. 2. Ann Arbor: Center for Chinese Studies Publications, 2000.
Edwards, Richard. The world around the Chinese artist: aspects of realism in Chinese painting. Ann Arbor, MI: University of Michigan Press, 1989.
Edwards, Richard. The world around the Chinese artist: Aspects of realism in Chinese painting. Michigan Classics in Chinese Studies, No. 2. Ann Arbor: Center for Chinese Studies, 2001.
Embodied modernities: corporeality, representation, and Chinese culture. (eds. Martin, Fran; Heinrich, Larissa). Honolulu, HI: University of Hawai'i Press, 2006.
Emperor Ch'ien-lung's grand cultural enterprise. (ed. Feng, Mingzhu). Catalog of exhibition held at the National Palace Museum, Taiwan, 2002. (Chinese and English). Taibei Shi: Guo li gu gong bo wu yuan, 2002.
Eternal China: Splendors from the First Dynasties. (ed. Li, Jian). Dayton: Dayton Art Institute, 1998.
Exploring China's past: new discoveries and studies in archaeology and art. (eds. Whitfield, Roderick; Wang, Tao). International Series in Chinese Art and Archaeology; No. 1. London: Saffron, 1999.
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Figuring it out: science, gender, and visual culture. (eds., Shteir, Ann B., & Lightman, Bernard V.) Interfaces, studies in visual culture; 1st ed. Hanover: University Press of New England, 2006.
Flath, James A. The Cult of Happiness: Nianhua, Art, and History in Rural North China. Seattle, WA: University of Washington Press, 2004.
Fong, Wen C. Between Two Cultures: Late Nineteenth and Twentieth Century Chinese Paintings. New Haven: Yale University Press, 2001.
Fong, Wen C.; Watt, James C. Possessing the Past: Treasures from the National Palace Museum, Taipei. New York: Metropolitan Museum of Art, 1996.
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Galikowski, Maria. Art and politics in China, 1949-1984. Hong Kong: Chinese University Press, 1998.
The glory of the Silk Road: art from ancient China. (eds. Li, Jian; Hansen, Valerie). Published on the occasion of an exhibition held at the Dayton Art Institute, Feb. 8-May 11, 2003, and at the Memphis Brooks Museum of Art, June 7-Aug. 3, 2003. Dayton, Ohio: Dayton Art Institute, 2003.
Golomshtok, Igor. Totalitarian art: in the Soviet Union, the Third Reich, Fascist Italy, and the People's Republic of China. (trans. Chandler, Robert). London: Collins Harvill, 1990.
Great National Treasures of China. The Collections of the National Palace Museum, Taipei. Torrance, CA: Heian International Publishing, Incorporated, TBA.
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Harmony and Contrast: A Journey Through East Asian Art. (ed. Wilkinson, Jane.). Honolulu, HI: University of Hawai'i Press, 1996.
Harris, Clare. In the Image of Tibet: Painters of Tibet Post-1959. Envisioning Asia Series. London: Reaktion Books, 1999.
Harrist, Robert E.. The landscape of words: stone inscriptions from early and medieval China. Seattle, Washington: University of Washington Press, 2008.
Harrist, Robert E., Jr. Power and Virtue: The Horse in Chinese Art. New York: China Institute Gallery, China Institute in America, 1997.
Haus der Kulturen der Welt Staff. China avante-garde: counter-currents in art and culture. New York: Oxford University Press, 1994.
Hayashi, Ryoichi. The Silk Road and the Shoso-In. (trans. Ricketts, Robert). New York: Weatherhill, 1975.
Heller, Amy. Discoveries in western Tibet and the western Himalayas: essays on history, literature, archaeology and art : PIATS 2003, Tibetan studies, proceedings of the Tenth Seminar of the International Association for Tibetan Studies, Oxford, 2003. Leiden, The Netherlands: Brill, 2007.
Holm, David. Art and ideology in revolutionary China. Studies on Contemporary China. New York: Oxford University Press, 1991.
Hong Kong Art Museum. 2000 Years of Chinese lacquer. Hong Kong: Chinese University Press, 1993.
Hung, Wu. Transience: Chinese Experimental Art at the End of the Twentieth Century. Chicago: University of Chicago, David & Alfred Smart Museum, 1999.
Huot, Claire M. China's New Cultural Scene: A Handbook of Changes. Durham: Duke University Press, 1999.
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International Association for Tibetan Studies. Buddhist art and Tibetan patronage: ninth to fourteenth centuries. (eds. Klimburg-Salter, Deborah E.; Allinger, Eva). Ninth Seminar of the International Association for Tibetan Studies, Leiden 2000. Leiden; Boston: Brill, 2002.
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Jager, Ulf. The new old mummies from Eastern Central Asia: ancestors of the Tocharian Knights depicted on the Buddhist wallpaintings of Kucha and Turfan? Sino-Platonic Papers, No. 84. Philadelphia: Dept. of Asian and Middle Eastern Studies, University of Pennsylvania, 1998.
Janicot, Eric. 50 ans d'esthetique moderne chinoise: Tradition et occidentalisme, 1911-1949 (de la chute des Qing a la Republique Populaire). Histoire de l'art. Paris: Publications de la Sorbonne, 1997.
Jing, Anning. The Water God's temple of the Guangsheng monastery: cosmic function of art, ritual and theater. Sinica Leidensia, Vol. 53. Leiden; Boston: Brill, 2002.
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Jullien, FranCois. The impossible nude: Chinese art and western aesthetics. (trans. Guardia, Maev de la). Chicago, IL: University of Chicago Press, 2007.
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Karetzky, Patricia E. Arts in the Tang Court. Images of Asia Series. New York: Oxford University Press, 1996.
Karetzky, Patricia Eichenbaum. Arts of the Tang Court. Images of Asia. Oxford: Oxford University Press, 1997.
Karetzky, Patricia Eichenbaum. Chinese Buddhist art. New York: Oxford University Press, 2002.
Karetzky, Patricia Eichenbaum. Early Buddhist Narrative Art: Illustrations of the Life of the Buddha from Central Asia to China, Korea and Japan. Lanham: University Press of America, 2000.
Kelley, Jeff. Half-life of a dream: contemporary Chinese art from the Logan collection. Berkeley, California: University of California Press, 2008.
Kuo, Chi-sheng. Art and Identity in Postwar Taiwan. Asian Thought and Culture Series. New York: Peter Lang Publishing, 2000.
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Laing, Ellen Johnston. Art and aesthetics in Chinese popular prints: selections from the Muban Foundation collection. Michigan Monographs in Chinese Studies, Vol. 94. Ann Arbor: Center for Chinese Studies, University of Michigan, 2002.
Landsberger, Stefan. Chinese Propaganda Posters: From Revolution to Modernization. Armonk: M. E. Sharpe Incorporated, 1996.
Latter days of the law: images of Chinese Buddhism, 850-1850. (ed. Weidner, Marsha Smith; Berger, Patricia Ann). Lawrence, KS: Spencer Museum of Art, University of Kansas; Honolulu, Hawaii: University of Hawai'i Press, 1994.
Laufer, Berthold. Jade: A Study In Chinese Archaeology And Religion. Legacy Reprint Series. Whitefish, MT: Kessinger Publishing Co., On Demand.
Leaves of enchantment, bones of inspiration: the dawn of Chinese studies in Canada: an exhibition of Chinese rare books. (eds. Cheng Yu Tung East Asian Library, University of Toronto & the Royal Ontario Museum.). Toronto: Thomas Fisher Rare Book Library, 2010.
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Leidy, Denise Patry; Strahan, Donna. Wisdom Embodied: Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art. (contr. Lawrence Becker, Arianna Gambirasi, Takao Itoh, Mechtild Mertz, Won Yee Ng, Adriana Rizzo, and Mark Wypyski). New Haven, CT: Yale University Press, 2010.
Leung, Helen Hok-sze. Undercurrents: Queer Culture and Postcolonial Hong Kong. Vancouver, B.C.: University of British Columbia Press, 2009.
Liscomb, Kathlyn Maurean. China and beyond: the legacy of a culture. (contr. Markus, Elizabeth Jane). Catalogue of an exhibition held at the Maltwood Art Museum and Gallery, Sept. 3-Dec. 24, 2002, and at the Vancouver Museum, Mar. 8-Sept. 1, 2003. Victoria, B.C.: Maltwood Art Museum and Gallery, 2002.
Little, Stephen. Realm of the immortals: Daoism in the arts of China: the Cleveland Museum of Art, February 10-April 10, 1988. Indiana University Press ; Bloomington, IN: Distributed by Indiana University Press, 1988.
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Liu, Kang. Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries. Post-Contemporary Interventions Series. Durham: Duke University Press, 2000.
Logan, Pamela. Tibetan rescue: the extaordinary quest to save the sacred art treasures of Tibet. Boston: Tuttle Pub., 2002.
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Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook. Collingdale: DIANE Publishing Company; 1997.
Mowry, Robert D.; Brown, Claudia. Ancient China - modern clay: Chinese Influences on five ceramic artists. Phoenix, AZ: Phoenix Art Museum, 1994.
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Picturing Power in the People's Republic of China: Posters of the Cultural Revolution. (ed. Evans, Harriet). Lanham: Rowman & Littlefield Publishers, 1999.
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Rhie, Marylin M. Early Buddhist art of China and central Asia. Handbuch der Orientalistik Series. Boston: Brill Academic Publishers, 1999.
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Sabattini, Mario. The treasures of imperial Beijing. Vercelli, Italy: White Star Publishers, 2007.
Seymour, Nancy N. An Index Dictionary of Chinese Artist, Collectors and Connoisseurs, with Character Identification by Modified Stroke Count: Including over 5,000 Chinese Names and Biographies from the T'ang Dynasty Through the Modern Period. Lanham, MD: Scarecrow Press, Incorporated, 1988.
Shi, Shumei. Visuality and identity: Sinophone articulations across the Pacific. Berkeley, CA: University of California Press, 2007.
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Shuter, Jane. Ancient Chinese art. Art in History/2nd Edition. Chicago, IL: Heinemann-Raintree, 2005.
Silbergeld, Jerome; Gong, Jisui. Contradictions: artistic life, the socialist state, and the Chinese painter Li Huasheng. Seattle: University of Washington Press, 1993.
Smith, Judith G.; Fong, Wen C. Issues of Authenticity in Chinese Painting. New Haven: Yale University Press, 2000.
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Stuart, Jan; Rawski, Evelyn Sakakida. Worshiping the Ancestors: Chinese Commemorative Portraits. Stanford: Stanford University Press, 2001.
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Touching the stones: China art now. (eds., Boers, Waling, & Li, Pi) Hong Kong: Timezone 8, 2007.
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Unofficial China: Popular culture and thought in the People's Republic of China. (eds. Link, Perry; Madsen, Richard; Pickowicz, Paul). Boulder: Westview Press, 1989.
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Van Briessen, Fritz. The Way of the Brush: Painting Techniques of China and Japan. Boston: Tuttle Publishing, 1999.
van Oort, H. A. The iconography of Chinese Buddhism in traditional China. Pt. 1. Iconography of Religions Series, XII-5. Kinderhook, NY: E. J. Brill U. S. A., Incorporated, 1986.
Chinese Art and Culture. Paramus: Prentice Hall PTR, 2000.
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Wang, Renchong; You, Xuehua. Symposium Proceedings on Ancient Chinese Seals. Chicago: Art Media Resources, 2000.
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Watt, James C. Y. and Leidy, Denise Patry. Defining Yongle: Imperial Art in Early Fifteenth-Century China. New Haven, CT: Yale University Press, 2005.
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Wicks, Ann Barrott. Children in Chinese Art. Honolulu: University of Hawai'i Press, 2002.
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Wu Hung. Reinterpretation: a decade of experimental Chinese art (1990-2000). (contr. Wang Huangsheng; Feng, Boyi). Guangzhou, China: Guangdong Museum of Art; Chicago, IL, USA: Co-published and distributed in the USA by Art Media Resources, Ltd. 2002.
Wu, Hung Chinese Art at the Crossroads: Between Past and Future, Between East and West. Honolulu: University of Hawai'i Press, 2002.
Wu, Hung and Phillips, Christopher. Between past and future: new photography and video from China. (contr. Chiu, Melissa; Corrin, Lisa; Smith, Stephanie). 1st edition. Chicago: Smart Museum of Art, University of Chicago; New York: International Center of Photography; Gottingen: Steidl Publishers; Chicago: In collaboration with Museum of Contemporary Art; New York: Asia Society, 2004.
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Xu, Songhua. A Computational Approach to Digital Chinese Painting and Calligraphy. New York, NY: Springer, 2009.
Xudong, Zhang. Chinese modernism in the era of reforms: cultural fever, avant-garde fiction and the new Chinese cinema. Durham, NC: Duke University Press, 1997.
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Yang, Hsin; Barnhart, Richard; Cahill, James; Wu Hung; Yang Xin; Nie, Chongzheng; Lang, Shaojun. Three Thousand Years of Chinese Painting. Culture and Civilization of China Series. New Haven: Yale University Press, 1997.
Yang, Xiaoneng. Reflections of Early China: Decor, Pictographs and Pictorial Inscriptions. Kansas City: Nelson-Atkins Museum of Art, 1999.
Young, John T. Contemporary public art in China: A photographic tour. Seattle: University of Washington Press, 1999.
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Zhang, Yiguo. Brushed voices: Calligraphy in contemporary China. New York: Columbia University, The Miriam & Ira D. Wallach Art Gallery, 1999.
Zheng, Da. Chiang Yee: the silent traveller from the East: a cultural biography. New Brunswick, N.J.: Rutgers University Press, 2010.
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