Architecture
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Alexander, Andr?. The Temples of Lhasa: Tibetan Buddhist architecture from the 7th to the 21st centuries. Tibet Heritage Fund's conservation inventory; Vol. 1. Chicago: Serindia, 2005.Cinema
Berliner, Nancy Zeng. Yin Yu Tang: a traditional Chinese house. Boston: Tuttle Publishing, 2003.
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Chinese City: Between Tradition and Modernism. Berlin: Jovis Verlags- und Projektburo, 2000.
Chung, Anita. Drawing boundaries: architectural images in Qing China. Honolulu: University of Hawaii Press, 2005.
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Gandelsonas, Mario. Shanghai reflections: architecture, urbanism and the search for an alternative modernity: essays. Princeton Papers on Architecture, No. 3. New York: Princeton Architectural Press, 2002.
Great Leap Forward. (eds. Koolhaas, Rem; Chung, Chuihua Judy; Inaba, Jeffrey; Chang, Bernard; Leong, Sze Tsung). Harvard University. Graduate School of Design. Project on the City; 1. New York: Taschen America, LLC, 2001.
Guo, Qinghua. A visual dictionary of Chinese architecture. (Chinese and English). Mulgrave, Vic.: Images Publishers, 2002.
Ho, Chuimei & Bronson, Bennet. Splendors of China's Forbidden City: the glorious reign of Emperor Qianlong. London; New York: Merrell; Chicago: In association with the Field Museum, 2004.
Huang, Tsung-yi Michelle. Walking between slums and skyscrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai. Hong Kong: Hong Kong University Press, 2004.
Inn, Henry. Chinese Houses and Gardens. London: Kegan Paul International Limited, 2000.
J. J. Pan. The Master Architect Series IV. Mulgrave, Australia: Images Publications, 2000.
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Knapp, Ronald G. China's old dwellings. Honolulu: University of Hawai'i Press, 2000.
Lai, Wang Yan. China: converted spaces. Antwerp: TECTUM, 2007.
Modern urban housing in China, 1840-2000. (ed. Rowe, Peter G.). Munchen: Prestel Verlag, 2001.
Naquin, Susan. Peking: Temples, public space and urban identities, 1400-1900. Berkeley: University of California Press, 2000.
On the edge: ten architects from China. (eds., Luna, Ian, & Tsang, Thomas) New York: Rizzoli, 2006.
Origins and Development of the Traditional Chinese Roof. Studies in Architecture, Vol. 5. Lewiston: Edwin Mellen Press, 2001.
Pei, I. M.; Prentice, Helaine Kaplan. Suzhou, shaping an ancient city for the new China: An EDAW/PEI workshop. Collingdale: DIANE Publishing Company, 2001.
Qiu, Yulan. Islamic Buildings. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 2000.
Rowe, Peter G.; Kuan, Seng. Architectural encounters with essence and form in modern China. Cambridge: MIT Press, 2002.
Ru, Jinghua; Peng, Hualiang. Ancient Chinese Architecture. Set. New York: Springer-Verlag New York, 2000.
Ru, Jinghua; Peng, Hualiang. Palace Architecture. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1998.
Sang, Wong W. Building Enclosure in Hong Kong. Hong Kong: Hong Kong University Press, 1998.
Su, Dazhang. Ritual and Ceremonious Buildings. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.
Sun, Dazhang. Ritual and ceremonious buildings. (trans. Zhong Guodong; Zhang Long). Ancient Chinese Architecture. New York: Springer, 2002.
Tadgell, Christopher. China: A Conservative Tradition. History of Architecture Series, Vol. 8. New York: Watson-Guptill Publications, 1998.
Wang, Qijan. Vernacular Dwellings. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1999.
Wei, Ran. Buddhist Buildings. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 1999.
Wu Hung. Remaking Beijing: Tiananmen square and the creation of a political space. Chicago: The University of Chicago Press; London: Reaktion Books, 2005.
Wu, Liangyong. Rehabilitating the Old City of Beijing: A Project in the Ju'er Hutong Neighbourhood. Vancouver: University of British Columbia Press, 1999.
Yun, Qiao. Defense Structures. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.
Yun, Qiao. Taoist Buildings. Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.
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At full speed: Hong Kong cinema in a borderless world. (ed. Yau, Esther C. M.). Minneapolis: University of Minnesota Press, 2001.Drama
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Berghuis, Thomas J. Performance art in China. Hong Kong: Timezone 8, 2006.Mixed 3-D
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Wang, Shixiang. Connoisseurship of Chinese Furniture: Ming and Early Qing Dynasties. London: Kegan Paul International Limited, 1998.
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Wilson, Verity. Chinese Dress. Trumbull: Weatherhill, Incorporated, 1996.
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Wu Bruce, Grace. Chinese classical furniture. New York: Oxford University Press, 1995.
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Baranovitch, Nimrod. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press, 2003.Painting
Birrell, Anne. Popular Songs and Ballads of Han China. Honolulu, HI: University of Hawai'i Press, 1993.
Brand, Manny. The teaching of music in nine Asian nations: comparing approaches to music education. Lewiston, N.Y.: E. Mellen Press, 2006.
Cho, Gene J. The discovery of musical equal temperament in China and Europe in the sixteenth century. Studies in the History and Interpretation of music, Vol. 93. Lewiston, N.Y.: Edwin Mellen Press, 2003.
Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. (eds. Nettl, Bruno; Bohlman, Philip). Chicago: University of Chicago Press, 1991
Cook, Scott Bradley. Unity and diversity in the musical thought of Warring States China. Thesis (Ph. D.) -- University of Michigan. Ann Arbor: University Microfilms International, 1995.
Du, Yaxiong. Ritual music in a North China village: the continuing Confucian and Buddhist heritage. 1st edition. Chicago: Chinese Music Society of North America, 2004.
East Asia, China, Japan and Korea. (ed. Witzleben, J. Lawrence). Encyclopedia of World Music Series, Vol. 7. (includes CD-ROM). New York: Garland Publishing, 1999.
Falkenhausen, Lothar von. Suspended music: chime-bells in the culture of Bronze Age China. Berkeley: University of California Press, 1994.
The Garland encyclopedia of world music. Volume 7, East Asia: China, Japan, and Korea (eds. Provine, Robert C.; Tokumaru, Yoshihiko; Witzleben, J. Lawrence). New York: Routledge, 2002.
Granet, M. Festivals and songs of ancient China. New York: Krishna Press, 1973.
Green, G. P. Some Aspects of Chinese Music and Some Thoughts and Impressions on Art Principles in Music. Temecula: Best Books, 2001.
Harris, Rachel. Singing the Village: Music, Memory and Ritual among the Sibe of Xinjiang Oxford; New York: Oxford University Press, 2005.
Jones, Andrew F. Yellow Music, Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham: Duke University Press, 2001.
Jones, Andrew F. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music. Ithaca: Cornell East Asia Institute, 1992.
Jones, Stephen. Folk music of China: Living instrumental traditions. New York: Oxford University Press, Incorporated, 1995.
Jones, Stephen. Plucking the winds: lives of village musicians in old and new China. Leiden: CHIME Foundation, 2004.
Jones, Stephen. Folk Music of China: Living Instrumental Traditions. New York: Oxford University Press, 1999.
Kraus, Richard C. Pianos and politics in China: middle-class ambitions and the struggle over Western music. New York: Oxford University Press, 1989.
Kraus, Richard. Pianos and politics in China: Class, nationalism and the controversy over western music. New York: Oxford Press, 1989.
Kuo, Alex. Chinese Opera. Hong Kong: Asia Two Thousand, 1999.
Kuttner, Fritz A. The archaeology of music in ancient China. Saint Paul, MN: Paragon House Publishers, 1990.
Lam, Joseph S. State Sacrifices and Music in Ming China: Orthodoxy, Creativity, and Expressiveness. SUNY Series in Chinese Studies. Albany: State University of New York Press, 1998.
Li, Gong; Magowan, Robin. Chinese Opera. New York: Abbeville Press, 2001.
Lian, Xinda. The Wild and Arrogant: Expression of Self in Xin Qiji's Song Lyrics. Asian Thought and Culture Series, Vol. 34. New York: Peter Lang Publishing, 1999.
Liang, Mingyue. Music of the Billion: An Introduction to Chinese Musical Culture. New York: Heinrichshofen Edition C.F. Peters, 1985.
Ling, Shu-hua. Ancient melodies. Reprint of London: Hogarth Press, 1953. New York: Universe Books, 1988.
Liu Ching-An. Women in folksongs. Pasadena, CA: The Oriental Book Store, 1985.
Lovrick, Peter. Chinese Opera: Images and Stories. Seattle: University of Washington Press, 1997.
Mackerras, Colin P. Rise of the Peking Opera 1770-1870: social aspects of the theatre in Manchu China. New York: Oxford University Press, Incorporated, 1972.
Melvin, Sheila & Cai, Jindong. Rhapsody in red: how classical music became Chinese. New York: Algora Pub., 2004.
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Music from the Tang Court. (eds. Picken, Laurence; Nickson, Noel J.). Vol. 5. New York: Cambridge University Press, 1990.
New Music in the Orient: Essays on Composition in Asia since World War II. (ed. Ryker, Harrison). Buren, The Netherlands: F. Kunf, 1990.
Operatic ritual, ritual opera: 'Mu-lien rescues his mother' in Chinese popular culture. (ed. Johnson, David). Berkeley, CA: University of California Press, 1989.
Pegg, Carole. Mongolian music, dance and oral narrative: Performing diverse identities. Seattle: University of Washington Press, 2001.
Perris, Arnold. Music as Propaganda: Art to Persuade and to Control. Westport: Greenwood Press, 1985.
Pian, Rulan Chao. Sonq dynasty musical sources and their interpretation. Harvard-Yenching Institute. Monograph Series, V. 16. Cambridge: Harvard University Press, 1967.
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Rees, Helen. Echoes of History: Naxi Music in Modern China. Book and CD-ROM. Oxford; New York: Oxford University Press, 2000.
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Stock, Jonathan P. J. Musical Creativity in Twentieth-Century China: Abing, His Music, and its Changing Meanings. Rochester: University of Rochester Press, 1996.
Thrasher, Alan R. Chinese Musical Instruments. Images of Asia Series. New York: Oxford University Press, 2000.
Tokens of Exchange: The Problem of Translation in Global Circulations. (ed. Liu, Lydia H.). Durham: Duke University Press, 1999.
Tradition and Change in the Performance of Chinese Music. (ed. Tsao, Penyeh). Newark: Gordon & Breach Publishing Group, 1998.
Unity and discord: music and politics in contemporary Tibet. London; Jackson, WY: Tibet Information Network, 2004.
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Witzleben, Laurence. 'Silk and Bamboo' Music in Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition. Kent, Ohio: The Kent State University Press, 1995.
Yung, Bell. Cantonese Opera: Performance as Creative Process. Cambridge: Cambridge University Press, 1989.
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Ancient China's painters. San Francisco, CA: China Books & Periodicals, Incorporated, 1979.Poetry
Andrews, Fred H.; Stein, Aurel, Sir. Catalogue of wall-paintings from ancient shrines in Central Asia and Sistan. Reprint. Originally published: London: Oxford University Press, 1933. New Delhi: Cosmo, 1981.
Baker, Ian; Laird, Thomas. The Dalai Lama's Secret Temple: Tantric Wall Paintings from Tibet. New York: Thames & Hudson, 2000.
Bao, Yuheng , Mu, Lin , & Lane, Letitia. Art and Artists of Chinese Modern Painting, 1890-1949. Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2005.
Biblical Art and the Asian Imagination: Representations of Biblical Narratives in Thailand, China, Sri Lanka and Bali. (Pongracz, Patricia C.; Cook, John W.; Gates, Mimi ). London: D Giles Limited, 2005.
Bickford, Maggie. Ink Plum: The Making of a Chines Scholar-Painting Genre. New York: Cambridge University Press, 1996.
Bickford, Maggie. Ink Plum: The Making of a Chinese Scholar-Painting Genre. New York: Cambridge University Press, 1996.
Cahill, James. The painter's practice: how artists lived and worked in traditional China. New York: Columbia University Press, 1995.
Chinese Painting from the Shanghai Museum 1851-1911. (ed. Chung, Anita). Edinburgh: National Museums of Scotland Publishing, 2000.
Chou, Yeongchau. Reexamination of Tang Hou and his Huajian. Thesis (Ph. D.) -- Univeristy of Kansas, 2001. Ann Arbor: University Microfilms International, 2001.
Clunas, Craig. Pictures and Visuality in Early Modern China. Reaktion Books. Chicago: University of Chicago Press, 2005.
Clunas, Craig. Elegant debts: the social art of Wen Zhengming, 1470-1559 Honolulu: University of Hawai'i Press, 2004.
The Complete Collection of Treasures of the Palace Museum: Paintings by Wang Shimin, Wang Tian, Wang Hui, Wang Yuangi, Wu Li and Yun Shouping. Beijing: Commercial Press, 1996.
Dalai Lama XIV. The Buddha's Art of Healing: Tibetan Paintings Rediscovered. New York: Rizzoli International Publications, 1998.
De Silva, Anil. The Art of Chinese Landscape Painting In the Caves of Tun-Huang. New York: Crown, 1964.
Evaluations of Sung dynasty painters of renown: Liu Tao-Chiun's Sung-Ch'ao Ming-Hua P'ing. Kinderhook, NY: E. J. Brill U. S. A., Incorporated, 1990.
The face of contemporary art in China. Washington, D. C.: Board of Governors of the Federal Reserve System, 2006.
Flath, James A. The cult of happiness: nianhua, art, and history in rural north China. 1st edition. Seattle: University of Washington Press, 2004.
Fraser, Sarah Elizabeth. Performing the visual: the practice of Buddhist wall painting in China and Central Asia, 618-960. Stanford: Stanford University Press, 2004.
Harrist, Robert E.; Li, Kung-Lin. Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin. Princeton: Princeton University Press, 1998.
Hong Kong Art Museum. The Cheng Xun Tang collection of painting and calligraphy on fans. Hong Kong: Chinese University Press, 1996.
Howard, Angela Falco, Li Song, Wu Hung, and Yang Hong. Chinese Sculpture. The Culture & Civilization of China. New Haven, CT Yale University Press, 2006.
Laing, Ellen J. An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists. Michigan Monographs in Chinese Studies, Vol. 76. Ann Arbor: Center for Chinese Studies Publications, 1998.
Laing, Ellen Johnston. Selling happiness: calendar posters and visual culture in early-twentieth-century Shanghai. Honolulu: University of Hawai'i Press, 2004.
Lee, Sonya S. Nirvana imagery in medieval Chinese art Thesis (Ph. D.)--University of Chicago, Dept. of Art History, Ann Arbor: Universtiy Microfilms International, 2004.
Lew, William W., The fisherman in Yuan painting and literature as reflected in Wu Chen's Yu-Fu T'U in the Shanghai Museum. Thesis (Ph.D.) -- Ohio University. Ohio: Ohio University, 1976.
Lin, Xiaoping. Wu Li , 1632-1718: His Life, His Paintings. Lanham: University Press of America, 2000.
Linrothe, Robert N. Paradise and plumage: Chinese connections in Tibetan Arhat painting. New York: Rubin Museum of Art; Chicago: Serindia Publications, 2004.
Liscomb, Kathlyn M. Learning from Mt. Hua: a Chinese physician's illustrated travel record and painting theory. New York: Cambridge University Press, 1993.
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Lust, John. Chinese Popular Prints. Handbook of Oriental Studies. Part 4 China, 11. Leiden: Brill Academic Publishers, 1996.
Mair, Victor H. Painting and Performance: Chinese Picture Recitation and Its Indian Genesis. Honolulu: University of Hawai'i Press, 1997.
The monk and the demon: contemporary Chinese art.. Milano: 5 continents; Lyon (F): Mus?e d'art contemporain, 2004.
Ning, Qiang. Art, religion, and politics in medieval China: the Dunhuang cave of the Zhai Family. Honolulu: University of Hawai? Press, 2004.
Ortiz, Valerie M. Dreaming the Southern Song Landscape: The Power of Illusion in Chinese Painting. Studies in Asian Art & Archaeology, Vol. 22. Boston: Brill Academic Publishers, 1999.
Regeneration: Contemporary Chinese Art from China and the US. Lewisburg: Samek Art Gallery, Bucknell University, 2004.
Sassoli de Bianchi, Lorenzo. China: contemporary painting. Bologna: Damiani, 2005.
Sung, Yu. San Diego Museum of Art: Selections from the Collection of Chinese Art. San Diego: San Diego Museum of Art, 1999.
Till, Barry. The Manchu era (1644-1912), arts of China's last imperial dynasty. (French and English). Victoria, B.C.: Art Gallery of Greater Victoria, 2004.
Toda, Teisuke. American and Canadian Collections. Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 1. Tokyo: University of Tokyo Press; 1999.
Toda, Teisuke. General Indexes. Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 4. Tokyo: University of Tokyo Press; 1999.
Toda, Teisuke. Japanese Collections. Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 3. Tokyo: University of Tokyo Press; 1999.
Toda, Teisuke. Asian and European Collections. Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 2. Tokyo: University of Tokyo Press; 1999.
Twentieth-century Chinese painting. (ed. Kao, Mayching). New York: Oxford University Press, Incorporated, 1988.
Vainker, Shelagh J. Modern Chinese Painting: The Reyes Collection in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 2000.
Wang, Tong. Mao on the wall. 1st ed. Hong Kong: China Tushu Pub., 2006.
Wicks, Ann B. Painting Paradise: The Art of Ting Shao Kuang. San Francisco: China Books & Periodicals, 1998.
Wong, Aida Yuen. Parting the mists: discovering Japan and the rise of national-style painting in modern China. Asian interactions and comparisons. Honolul: Association for Asian Studies; University of Hawaii Press, 2006.
Wu, Hung. Transience: Chinese Experimental Art at the End of the Twentieth Century. Chicago: University of Chicago Press, 2004.
Wu, Marshall P. S. The Orchid Pavilion Gathering: Chinese Painting from the University of Michigan Museum of Art. Set. Seattle, WA: University of Washington Press, 2000.
Yan, Chen. Chinese Animal Designs. Mineola, NY: Dover Publications, Incorporated, 2005.
Yang, Hsin; Barnhart, Richard; Cahill, James; Wu Hung; Yang Xin; Nie, Chongzheng; Lang, Shaojun. Three Thousand Years of Chinese Painting. Culture and Civilization of China Series. New Haven: Yale University Press, 1997.
Yunhua, H. Art of Chinese miniature landscape. New York: State Mutual Book & Periodical Service, Limited, 1989.
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Ancient China's poets. San Francisco, CA: China Books & Periodicals, Incorporated, 1979.
Autumn willows: poetry by women of China's golden age. (trans. Chow, Bannie; Cleary, Thomas). Ashland, OR: Story Line Press, 2003.
Butterfly mother: Miao (Hmong) creation epics from Guizhou, China. (eds., Jin, Dan, Ma, Xueliang, & Bender, Mark) Indianapolis: Hackett Pub. Co., 2006.
Chaves, Jonathan. The Chinese Painter as Poet. New York: China Institute Gallery, China Institute in America, 2001.
Chen, Jack Wei. Denying imperial bodies: Tang Taizong and the politics of sovereignty. Thesis (Ph. D., Dept. of Comparative Literature)--Harvard University, 2002. Ann Arbor: University Microfilms International, 2003.
Chinese Poetry: An Anthology of Major Modes and Genres. (ed. Yip, Wai-Lim.). 2nd Edition. Durham: Duke University Press, 1997.
Chinese women traversing diaspora: Memoirs, essays and poetry. (ed. Hom, Sharon K.). Gender, Culture, & Global Politics Series, Vol. 3. New York: Garland Publishing, 1999.
The Clouds Should Know Me by Now: Buddhist Poet Monks of China. (ed. Pine, Red). Somerville: Wisdom Publications, 1998.
Dunn, Hugh. Cao Zhi: The Life of a Princely Chinese Poet. (On Demand). Miami: University Press of the Pacific, 2000.
DuoDuo - Crossing the Sea, Poems in Exile - Poems in China. (eds. Robinson, Lee; Ricci, Nino). Toronto: House of Anansi Press, 1998.
Ezra Pound and China. (ed. Qian, Zhaoming). Essays originally presented at the 18th International Ezra Pound Conference held in Beijing, China, July 16-19, 1999. Ann Arbor: University of Michigan Press, 2003.
Frontier Taiwan: An Anthology of Modern Chinese Poetry. (ed. Yeh, Michelle). Modern Chinese Literature from Taiwan Series. New York: Columbia University Press, 2001.
Fung, Sydney S. K. 25 T'ang poets: index to English translations. Hong Kong: Chinese University Press, 1984.
Galimba, Michelle Maile. Form and transformation in the fu of Su Shi (1037--1101). Thesis (Ph. D.) -- University of California Berkeley, 1999. Ann Arbor: University Microfilms International, 1999.
Grant, Beata. Daughters of emptiness: poems of Chinese Buddhist nuns. Somerville, MA: Wisdom Publications, 2003.
Ho, Richard M. W. Ch'en Tzu-ang: Innovator in T'ang Poetry. Hong Kong: Chinese University Press, 1997.
Ho, Richard M. W. Ch'en Tzu-Ang: innovator in T'ang poetry. Hong Kong: Chinese University Press, 1993.
Holzman, Donald. Immortals, Festivals, and Poetry in Medieval China. Variorum Collected Studies, Vol. CS623. Aldershot: Ashgate Publishing, Limited, 1998.
Hsieh, Daniel. The Evolution of Jueju Verse. Asian Thought and Culture Series, Vol. 12. New York: Peter Lang Publishing, 1996.
Huang, Guiyou. Whitmanism, Imagism, and Modernism in China and America. Susquehanna: Susquehanna University Press, 1997.
Huang, Xiang. A bilingual edition of poetry out of Communist China. Lewiston, N.Y.: Edwin Mellen Press, 2004.
Johnson, Steven R. Where the world does not follow: Buddhist China in picture and poem. (ed. trans. O'Connor; photo. Johnson, Steven R.). Boston: Wisdom Publications, 2003.
Kowallis, Jon Eugene von. The subtle revolution: poets of the "old schools" during late Qing and early Republican China. Berkeley, CA: Institute of East Asian Studies, 2005.
Landau, Julie. Beyond Spring: Tzu Poems of the Sung Dynasty. New York: Columbia University Press, 1997.
Lee, Gregory B. Troubadours, Trumpeters, Troubled Makers: Lyricism, Nationalism, and Hybridity in China and Its Others. Durham, NC: Duke University Press, 1996.
Levy, Dore J. Chinese narrative poetry: the tradition in Shih from the late Han through T'ang dynasties. Durham, NC: Duke University Press, 1988.
Li, Dian. The Chinese Poetry of Bei Dao, 1978-2000: Resistance and Exile. Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2006.
Mao Zedong. Snow Glistens on the Great Wall: The Complete Poetical Works of Mao Tse-Tung. (ed. trans. Wen-Yee, Ma; illus. Usher, Fred). Santa Barbara: Santa Barbara Press, 1985.
Mi, Jiayan. Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949. Lewiston, N.Y.: E. Mellen Press, 2004.
Mott, Glenn. Analects on a Chinese screen. Tucson: Chax Press, 2007.
Mountain home: the wilderness poetry of ancient China. (ed. Hinton, David). Washington, D.C.: Counterpoint, 2002.
Murck, Alfreda. Poetry and Painting in Song China: The Subtle Art of Dissent. Harvard-Yenching Institute Monograph Series. Cambridge: Harvard University Press, 2000.
Murray, Julia K. Ma Hezhi and the Illustration of the Book of Odes. New York: Cambridge University Press, 1993.
Owen, Stephen. Making of early Chinese classical poetry. Harvard East Asian Monographs: 261 Cambridge, MA: Harvard University Press, 2006.
Owen, Stephen. Late Tang: Chinese poetry of the mid-ninth century (827-860). Harvard East Asian Monographs 264. Cambridge, MA: Harvard University Press, 2006.
Poems of the masters: China's classic anthology of T'ang and Sung dynasty verse. (eds. Pine, Red; Porter, Bill). 1st edition. English and Chinese. Port Townsend, Wash.: Copper Canyon Press, 2003.
Qian, Zhaoming. The modernist response to Chinese art: Pound, Moore, Stevens. Charlottesville: University of Virginia Press, 2003.
Radtke, Kurt W. Poetry of the Yuan Dynasty. Faculty of Asian Studies Monographs, New Series, Vol. 5. Canberra: Australian National University, Faculty of Asian Studies, 1997.
Ropp, Paul S. Banished Immortal: Searching for Shuangqing, China's Peasant Woman Poet. Ann Arbor: University of Michigan Press, 2001.
Rothenberg, Jerome. China notes & The treasures of Dunhuang. Tokyo: Ahadada Books, 2006.
Schmidt, J. D. Within the human realm: the poetry of Huang Zunxian, 1848-1905. New York: Cambridge University Press, 1994.
Schmidt, J. D. Stone Lake: the poetry of Fan Chengda, 1126-1193. New York: Cambridge University Press, 1992.
Serrano, Richard. Neither a Borrower: Forging Traditions in French, Chinese and Arabic Poetry. Studies in Comparative Literature Series, No. 7. Oxford: European Humanities Research Centre, 2001.
The translation of art: essays on Chinese painting and poetry. (ed. Watt, James C. Y.). Seattle, WA: University of Washington Press, 1976.
Tu Fu. Selected Poems. (ed. Chih, Feng). Hong Kong: The Commercial Press, Ltd., 1977.
Wang, C. H. From ritual to allegory: early Chinese poetry. Hong Kong: Chinese University Press, 1988.
Wong, Kai-chee A research guide to English translation of Chinese verse. Hong Kong: Chinese University Press, 1977.
Wong, Yoon Wah. Ssu-K'ung Tu: a poet critic of the T'ang. Hong Kong: Chinese University Press, 1976.
Wu, Fusheng. The Poetics of Decadence: Chinese Poetry of the Southern Dynasties and Late Tang Periods. Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 1998.
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Marilyn Shea
Department of Psychology
University of Maine at Farmington
mshea@maine.edu
http://hua.umf.maine.edu/China/fineart.html
Last update: January 2008
© Marilyn Shea 1996, 2008