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Architecture
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Alexander, Andr?.  The Temples of Lhasa:  Tibetan Buddhist architecture from the 7th to the 21st centuries.  Tibet Heritage Fund's conservation inventory; Vol. 1. Chicago: Serindia, 2005.

Berliner, Nancy Zeng.  Yin Yu Tang:  a traditional Chinese house.  Boston: Tuttle Publishing, 2003.

Bettels, Almut E. I.  Traditional architecture in China.  (German and English). Wabern: Benteli, 2002.

Boyang, Wang.  Imperial Mausoleums and Tombs.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1998.

Chen, Congzhou.  Chinese houses:  a pictorial tour of China's traditional dwellings.  Chappaqua, New York: Readers Digest, 2009.

Chinese City:  Between Tradition and Modernism.  Berlin: Jovis Verlags- und Projektburo, 2000.

Chung, Anita.  Drawing boundaries:  architectural images in Qing China.  Honolulu: University of Hawai'i Press, 2005.

Fairbank, Wilma.  Liang and Lin:  Partners in Exploring China's Architectural Past.  Philadelphia: University of Pennsylvania Press, 2008.

Fu, Xinian; Guo, Daiheng; Liu, Xujie; Pan, Guxi; Qiao, Yun; and Sun, Dazhang.  Chinese architecture.  (ed. Steinhardt, Nancy Shatzman). The Culture and Civilization of China. New Haven: Yale University Press, 2002.

Gandelsonas, Mario.  Shanghai reflections:  architecture, urbanism and the search for an alternative modernity: essays.  Princeton Papers on Architecture, No. 3. New York: Princeton Architectural Press, 2002.

Great Leap Forward.  (eds. Koolhaas, Rem; Chung, Chuihua Judy; Inaba, Jeffrey; Chang, Bernard; Leong, Sze Tsung). Harvard University. Graduate School of Design. Project on the City; 1. New York: Taschen America, LLC, 2001.

Guo, Qinghua.  A visual dictionary of Chinese architecture.  (Chinese and English). Mulgrave, Vic.: Images Publishers, 2002.

Guo, Qinghua.  The mingqi pottery buildings of Han Dynasty China, 206 BC-AD 220:  architectural representations and represented architecture.  England; BrightonPortland, Or.: Sussex Academic Press, 2010.

Ho, Chuimei & Bronson, Bennet.  Splendors of China's Forbidden City:  the glorious reign of Emperor Qianlong.  London; New York: Merrell; Chicago: In association with the Field Museum, 2004.

Huang, Tsung-yi Michelle.  Walking between slums and skyscrapers:  illusions of open space in Hong Kong, Tokyo, and Shanghai.  Hong Kong: Hong Kong University Press, 2004.

Inn, Henry.  Chinese Houses and Gardens.  London: Kegan Paul International Limited, 2000.

J. J. Pan.  The Master Architect Series IV. Mulgrave, Australia: Images Publications, 2000.

Keswick, Maggie.  The Chinese garden:  history, art and architecture  (Rev. by Alison Hardie.). Cambridge: Harvard University Press, 2003.

Knapp, Ronald G.  China's old dwellings.  Honolulu: University of Hawai'i Press, 2000.

Knight, Michael: Chan, Dany: Berliner, Nancy Zeng.  Shanghai:  art of the city.  San Francisco: Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture, 2010.

Lai, Wang Yan.  China:  converted spaces.  Antwerp: TECTUM, 2007.

Miller, Tracy.  The Divine Nature of Power:  Chinese Ritual Architecture at the Sacred Site of Jinci.  Cambridge, MA: Harvard University Asia Center for Harvard-Yenching Institute, 2007.

Modern urban housing in China, 1840-2000.  (ed. Rowe, Peter G.). Munchen: Prestel Verlag, 2001.

Naquin, Susan.  Peking:  Temples, public space and urban identities, 1400-1900.  Berkeley: University of California Press, 2000.

On the edge:  ten architects from China.  (eds., Luna, Ian, & Tsang, Thomas) New York: Rizzoli, 2006.

Origins and Development of the Traditional Chinese Roof.  Studies in Architecture, Vol. 5. Lewiston: Edwin Mellen Press, 2001.

Pei, I. M.; Prentice, Helaine Kaplan.  Suzhou, shaping an ancient city for the new China:  An EDAW/PEI workshop.  Collingdale: DIANE Publishing Company, 2001.

Qiu, Yulan.  Islamic Buildings.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 2000.

Rowe, Peter G.; Kuan, Seng.  Architectural encounters with essence and form in modern China.  Cambridge: MIT Press, 2002.

Ru, Jinghua; Peng, Hualiang.  Ancient Chinese Architecture.  Set. New York: Springer-Verlag New York, 2000.

Ru, Jinghua; Peng, Hualiang.  Palace Architecture.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1998.

Sang, Wong W.  Building Enclosure in Hong Kong.  Hong Kong: Hong Kong University Press, 1998.

Schwarcz, Vera.  Place and memory in the Singing Crane Garden.  Philadelphia: University of Pennsylvania Press, 2008.

Su, Dazhang.  Ritual and Ceremonious Buildings.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.

Sun, Dazhang.  Ritual and ceremonious buildings.  (trans. Zhong Guodong; Zhang Long). Ancient Chinese Architecture. New York: Springer, 2002.

Tadgell, Christopher.  China:  A Conservative Tradition.  History of Architecture Series, Vol. 8. New York: Watson-Guptill Publications, 1998.

Visser, Robin.  Cities surround the countryside:  urban aesthetics in post-socialist China.  Durham: Duke University Press, 2010.

Wang, Qijan.  Vernacular Dwellings.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1999.

Wei, Ran.  Buddhist Buildings.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 1999.

Wu Hung.  Remaking Beijing:  Tiananmen square and the creation of a political space.  Chicago: The University of Chicago Press; London: Reaktion Books, 2005.

Wu, Liangyong.  Rehabilitating the Old City of Beijing:  A Project in the Ju'er Hutong Neighbourhood.  Vancouver: University of British Columbia Press, 1999.

Yun, Qiao.  Taoist Buildings.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.

Yun, Qiao.  Defense Structures.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, Incorporated, 2000.

Cinema
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At full speed:  Hong Kong cinema in a borderless world.  (ed. Yau, Esther C. M.). Minneapolis: University of Minnesota Press, 2001.

Before and after Suzie:  Hong Kong in Western film and literature.  (eds. Luk, Thomas Y. T.; Rice, James P.). New Asia Academic Bulletin, No. 18. Hong Kong: New Asia College, The Chinese University of Hong Kong, 2002.

Berry, Chris.  China on screen:  cinema and nation.  (ed., Farquhar, Mary Ann) Film and culture. New York: Columbia University Press, 2006.

Berry, Chris.  Postsocialist cinema in post-Mao China:  the cultural revolution after the Cultural Revolution.  New York: Routledge, 2004.

Bordwell, David.  Planet Hong Kong:  Popular Cinema and the Art of Entertainment.  Cambridge: Harvard University Press, 2000.

Braester, Yomi.  Witness Against History:  Literature, Film, and Public Discourse in Twentieth-Century China.  Stanford: Stanford University Press: 2003.

Braester, Yomi.  Witness against history:  literature, film, and public discourse in twentieth-century China.  Stanford: Stanford University Press, 2003.

Charles, John.  The Hong Kong filmography, 1977-1997:  A complete reference to 1,100 films produced by British Hong Kong studios.  Jefferson: McFarland & Company, Incorporated Publishers, 2000.

Cheng, Jim.  An annotated bibliography for Chinese film studies.  Hong Kong: Hong Kong University Press, 2004.

Chin, Yik Chan.  Television Regulation and Media Policy in China.  New York: Routledge, 2010.

Chinese film stars.  (eds. Farquhar, Mary and Zhang, Yingjin). London; New York: Routledge, 2010.

Chinese media, global contexts.  (ed. Li, Jinquan). RoutledgeCurzon Studies in Asia's Transformations. New York: Routledge, 2003.

Chinese-language film:  historiography, poetics, politics.  (eds. Lu, Sheldon H. & Yeh, Emilie Yueh-yu). Honolulu: University of Hawai'i Press, 2005.

Chinoy, Mike.  China Live:  People Power and the Television Revolution.  Lanham: Rowman & Littlefield Publishers, 1999.

Chow, Rey.  Primitive passions:  visuality, sexuality, ethnograhy and contemporary Chinese cinema.  New York: Columbia University Press, 1995.

Chos, Rey.  Sentimental fabulations, contemporary Chinese films:  attachment in the age of global visibility.  New York: Columbia University Press, 2007.

Chow, Rey.  The Rey Chow reader.  (ed. Bowman, Paul). New York: Columbia University Press, 2010.

Chu, Yingchi.  Hong Kong cinema:  coloniser, motherland and self.  Richmond: RoutledgeCurzon, 2003.

Cinema and cultural identity:  reflections on films from Japan, India, and China.  Lanham, MD: University Press of America, c1988.

Cinema and Urban Culture in Shanghai, 1922-1943.  (ed. Zhang, Yingjin). Stanford: Stanford University Press, 1999.

The cinema of Hong Kong:  History, arts, identity.  (ed. Fu, Poshek; Desser, David). New York Cambridge University Press, 2000.

Cinematic landscapes:  observations on the visual arts and cinema of China and Japan.  (eds. Ehrlich, Linda C.; Desser, David). Austin, TX: University of Texas Press, 1994.

Cinematic Landscapes:  Observations on the Visual Arts and Cinema of China and Japan.  (ed. Ehrlich, Linda C.). Austin: University of Texas Press, 2000.

Clark, Paul.  Reinventing China:  a generation and its films.  Hong Kong: Chinese University Pres, 2004.

Clark, Paul.  Chinese cinema:  culture and politics since 1949.  New York: Cambridge University Press, 1988.

Clark, Paul.  Reinventing China:  A Generation and Its Films.  Hong Kong: Chinese University Press: 2005.

Colonialism and nationalism in Asian Cinema.  (ed. Dissanayake, Wimal). Bloomington, IN: Indiana University Press, 1994.

Cornelius, Sheila; Smith, Ian Haydn.  New Chinese cinema:  challenging representations.  London; New York: Wallflower, 2002.

Cui, Shugin.  Women Through The Lens:  Gender and Nation in a Century of Chinese Cinema.  Honolulu, Hawaii: University of Hawai'i Press, 2008.

Cui, Shuqin.  Women through the lens:  gender and nation in a century of Chinese cinema.  Honolulu: University of Hawai'i Press, 2003.

Deppman, Hsiu-Chuang.  Adapted for the screen:  the cultural politics of modern Chinese fiction and film.  Honolulu: University of Hawai'i Press, 2010.

Donald, Stephanie.  Little friends:  children's film and media culture in China.  Lanham, MD: Rowman & Littlefield Publishers, 2005.

Donald, Stephanie.  Public secrets, public spaces, cinema and civility in China.  Lanham: Rowman & Littlefield Publishers, Incorporated, 2000.

From underground to independent:  alternative film culture in contemporary China.  (eds., Pickowica, Paul, & Zhang, Yingjin) Asia/Pacific/perspectives. Lanham, Md.: Rowman & Littlefield, 2006.

Fu, Poshek.  China forever:  the Shaw Brothers and diasporic cinema.  Champaign, Illinois: University of Illinois Press, 2008.

Global Chinese cinema:  the culture and politics of "Hero".  (eds. Rawnsley, Gary D. and Rawnsley, Ming-Yeh T.). New York Routledge, 2010.

Godley, Michael R.  New Chinese Cinemas.  Cambridge; New York: Cambridge University Press, 2006.

Hong Kong film, Hollywood and the new global cinema:  no film is an island.  (eds., See Kam, Tan, & Marchetti, Gina) Media, culture, and social change in Asia series. New York: Routledge, 2007.

Hong, Junhao.  The Internationalization of Television in China:  The Evolution of Ideology, Society and Media since the Reform.  Westport: Greenwood Publishing Group, 1998.

Hoover, Michael; Stokes, Lisa Odham.  City on Fire:  Hong Kong Cinema.  New York: Verso, 1999.

Wu, Hung; Phillips, Christopher.  Between Past and Future:  New Photography and Video from China.  Chicago: University of Chicago Press, 2004.

Jackson, Andrew David.  How East Asian films are reshaping national identities:  essays on the cinemas of China, Japan, South Korea, and Hong Kong.  Lewiston, NY: Edwin Mellen Press, 2007.

Journal of Chinese cinemas.  Bristol, England. Intellect Journals, 2007.

Kar, Law & Bren, Frank.  Hong Kong cinema:  a cross-cultural view.  Lanham, Md.: Scarecrow Press, 2004.

Kuoshu, Harry H.  Celluloid China:  cinematic encounters with culture and society.  Carbondale; Edwardsville: Southern Illinois University Press, 2002.

Leung, Helen Hok-sze.  Undercurrents:  Queer Culture and Postcolonial Hong Kong.  Vancouver, B.C.: University of British Columbia Press, 2009.

Lin, Xiaoping.  Children of Marx and Coca-Cola:  Chinese avant-garde art and independent cinema.  Honolulu: University of Hawai'i Press, 2010.

Lu, Sheldon H.  Chinese-Language Film:  Historiography, Poetics, Politics.  Honolulu: University of Hawai'i Press, 2004.

Lu, Tonglin.  Confronting modernity in the cinemas of Taiwan and Mainland China.  New York: Cambridge University Press, 2002.

Lu, Tonglin.  Confronting modernity in the cinema of Taiwan and Mainland China.  New York: Cambridge University Press, 2001.

Ma, Eric K.  Culture, politics, and television in Hong Kong.  Culture & Communication in Asia Series. London: Routledge, 1999.

Marchetti, Gina.  Andrew Lau and Alan Mak's Infernal affairs - the trilogy:  The Trilogy.  Hong Kong: Hong Kong University Press, 2007.

McGrath, Jason.  Postsocialist modernity:  Chinese cinema, literature, and criticism in the market age.  Standford, California: Stanford University Press, 2008.

Melodrama and Asian Cinema.  (ed. Dissanayake, Wimal). New York: Cambridge University Press, 1993.

New Chinese cinemas:  forms, identities, politics.  (eds. Sobchack, Vivian; Browne, Nick; Pickowicz, Paul; Yau, Esther). New York: Cambridge University Press, 1996.

Nochimson, Martha.  Dying to belong:  gangster movies in Hollywood and Hong Kong.  New York, NY: John Wiley & Sons, Incorporated, 2007.

Pang, Laikwan.  Building a new China in cinema:  the Chinese left-wing cinema movement, 1932-1937.  Lanham, Md.: Rowman & Littlefield Publishers, 2002.

Pang, Laikwan.  Building a New China in Cinema:  The Chinese Left-Wing Cinema Movement, 1932-1937.  Lanham: Rowman & Littlefield Publishers, 2002.

Perspectives on Chinese cinema.  (ed. Berry, Chris). Bloomington, IN: Indiana University Press, 1991.

Race, class, and gender in "medieval" cinema.  (eds., Ramey, Lynn Tarte, & Pugh, Tison) New York: Palgrave Macmillan, 2007.

Reading Chinese transnationalisms:  society, literature, film.  (ed. Ng, Maria N.; Holden, Philip). Hong Kong: Hong Kong University Press, 2007.

Redirecting the gaze:  gender, theory, and cinema in the Third World.  (eds. Robin, Diana Maury; Jaffe, Ira). Albany: State University of New York Press, 1999.

Roan, Jeanette.  Envisioning Asia:  on location, travel, and the cinematic geography of U.S. orientalism.  Ann Arbor: University of Michigan Press, 2010.

See Kam, Tan.  Chinese connections:  critical perspectives on film, identity and diaspora.  Philadelphia: Temple University Press, 2009.

Shen, Vivian.  The origins of left-wing cinema in China, 1932-37.  New York: Routledge, 2005.

Silbergeld, Jerome.  Body in Question:  Image and Illusion in Two Chinese Films by Director Jiang Wen.  Princeton, New Jersey: Princeton University Press, 2008.

Silbergeld, Jerome.  China Into Film:  Frames of Reference in Contemporary Chinese Cinema.  Envisioning Asia Series. London: Reaktion Books, 1999.

Silbergeld, Jerome.  Hitchcock with a Chinese face:  cinematic doubles, Oedipal triangles, and China's moral voice.  Seattle: University of Washington Press, 2004.

Smith, Ian Haydn.  The Cinema of China and South East Asia.  London: Wallflower Press, 2009.

Stokes, Lisa Odham.  Historical dictionary of Hong Kong cinema.  (eds., Lukitsh, Jean, Hoover, Michael, & Stokes, Tyler) Historical dictionaries of literature and the arts; No. 2. Lanham, MD.: Scarecrow Press, 2007.

Tam, Kwok-kan; Dissanayake, Wimal.  New Chinese Cinema.  Images of Asia Series. New York: Oxford University Press, 1998.

Television across Asia:  television industries, programme formats and globalization.  (eds. Moran, Albert and Keane, Michael). London; New York: RoutledgeCurzon, 2004.

Teo, Stephen.  Hong Kong Cinema:  The Extra Dimensions.  London: British Film Institute, 1998.

Tillmann, von Herbert.  Dictionary of Radio and Television Terms:  English-German-Chinese.  Berlin: Publicis Corporate Publishing, 2002.

Transnational Chinese Cinemas:  Identity, Nationhood, Gender.  (ed. Lu, Sheldon H.). Honolulu: University of Hawai'i Press, 1997.

The urban generation:  Chinese cinema and society at the turn of the twenty-first century.  (ed. Zhen, Zhang). Durham, NC: Duke University Press, 2007.

Voci, Paola.  China on video:  smaller-screen realities.  London; New York: Routledge, 2010.

Vojkovic, Sasha.  Yuen Woo Ping's Wing Chun.  Hong Kong: Hong Kong University Press, 2009.

White, Julia M..  Mahjong:  art, film, and change in China.  Berkeley, California: University of California, 2008.

Xu, Gary G.  Sinascape:  contemporary Chinese cinema.  Lanham: Rowman & Littlefield Publishers, 2007.

Yau, Kinnia Shuk-ting.  Japanese and Hong Kong film industries:  understanding the origins of East Asian film networks.  New York: Routledge, 2009.

Yau, Kinnia Shuk-ting.  Japanese and Hong Kong film industries:  understanding the origins of East Asian film networks.  London; New York: Routledge, 2010.

Yoshida, Takashi.  The Making of the "Rape of Nanking":  History and Memory in Japan, China, and the United States.  New York: Oxford University Press, 2009.

Yu, Haiqing.  Media and Cultural Transformation in China.  New York, NY: Routledge, 2009.

Zhang, Rui.  Cinema of Feng Xiaogang:  commercialization and censorship in Chinese cinema after1989.  Seattle, Washington: University of Washington Press, 2008.

Zhang, Rui.  The Cinema of Feng Xiaogang:  Commercialization and Censorship in Chinese Cinema After 1989.  Hong Kong: Hong Kong University Press, 2008.

Zhang, Yingjin.  Screening China:  critical interventions, cinematic reconfigurations, and the transnational imaginary in contemporary Chinese cinema.  Michigan Monographs in Chinese Studies; Vol. 92. Ann Arbor: Center for Chinese Studies, 2002.

Zhang, Yingjin.  Chinese national cinema.  New York: Routledge, 2004.

Zhang, Yingjin; Xiao, Zhiwei.  Encyclopedia of Chinese film.  New York: Routledge, 1998.

Zhang, Zhen.  An Amorous History of the Silver Screen:  Shanghai Cinema, 1896-1937.  Cinema and Modernity Series. Chicago: University of Chicago Press, 2005.

Zheng, Yinghin.  Cinema, Space and Polylocality in Globalizing China.  Honolulu, Hawaii: University of Hawai'i Press, 2009.

Zhou, Xuelin.  Young rebels in contemporary Chinese cinema.  Hong Kong Hong Kong University Press, 2007.

Zhu, Ying.  Chinese cinema during the era of reform:  the ingenuity of the system.  Westport, Conn.: Praeger Publishers, 2003.

Zhu, Ying.  Television in Post-reform China:  Serial Dramas, Confucian Leadership and the Global Television Market.  New York: Routledge, 2009.

Zhu, Ying.  Television in post-reform China:  serial dramas, Confucian leadership and the global television market.  New York: Routledge, 2008.

Drama
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Berghuis, Thomas J.  Performance art in China.  Hong Kong: Timezone 8, 2006.

Birch, Cyril.  Scenes for Mandarins:  The Elite Theater of the Ming.  Translations from the Asian Classics. New York: Columbia University Press, 1995.

Catherine, Swatek.  Peony Pavilion Onstage:  Four Centuries in the Career of a Chinese Drama.  Michigan Monographs in Chinese Studies, No. 88. Ann Arbor: Center for Chinese Studies Publications, 2002.

Chang, Chun-Shu.  Theater and state in seventeenth century China.  Ann Arbor: Huron Valley Publishing, 1999.

chen, fan pen li.  Chinese shadow theatre:  history, popular religion, and women warriors.  Montreal, Quebec: McGill-Queen's University Press, 2007.

Chen, Xiaomei.  Acting the right part:  political theater and popular drama in contemporary China.  Honolulu: University of Hawai'i Press, 2002.

Chinese Theater:  From Its Origins to the Present Day.  (ed. Mackerras, Colin). Honolulu, HI: University of Hawai'i Press, 1989.

Chinese Theories of the Theater and Performance from Confucius to the Present.  (ed. Fei, Faye C.). Ann Arbor: University of Michigan Press, 1999.

Eide, Elizabeth.  China's Ibsen.  Honolulu, HI: University of Hawai'i Press, 1987.

Goldstein, Joshua.  Drama kings:  players and publics in the re-creation of Peking opera.  (ed., Mei, Lanfang) Berkeley: University of California Press, 2007.

Luk, Yun-Tong.  Studies in Chinese-Western comparative drama.  Hong Kong: Chinese University Press, 1990.

McLaren, Anne E.  Chinese Popular Culture and Ming Chantefables.  Boston: Brill Academic Publishers, 1998.

Modern Anglophone drama by women.  (ed., Barr, Alan P.) New York: Peter Lang, 2007.

An Oxford Anthology of Contemporary Chinese Drama.  (ed. Cheung, Martha P.). New York Oxford University Press, 1997.

Quah, Sy Ren.  Gao Xingjian and transcultural Chinese theater.  Honolulu: University of Hawai'i Press, 2004.

Roberts, Rosemary A.  Maoist model theatre:  the semiotics of gender and sexuality in the Chinese Cultural Revolution (1966-1976).  Leiden; Boston: Brill, 2010.

Shen, Guangren.  Elite theatre in Ming China, 1368-1644  London; New York: Routledge, 2005.

Siu, Wang-Ngai.  The Hong Kong Ballet.  Hong Kong: Hong Kong University Press, 2003.

Swatek, Catherine.  Peony Pavilion onstage:  Four centuries in the career of a Chinese drama.  Michigan Monographs in Chinese Studies, No. 88. Ann Arbor: Center for Chinese Studies, 2001.

Tan Ye.  Common Dramatic Codes in Yuan and Elizabethan Theaters:  Characterization in Western Chamber and Romeo and Juliet.  Studies in Comparative Literature, Vol. 22. Lewiston: Edwin Mellen Press, 1997.

Theater and Society:  An Anthology of Contemporary Chinese Drama.  (ed. Yan, Haiping). Asia & the Pacific Series. Armonk: M. E. Sharpe Incorporated, 1998.

Tian, Min.  The poetics of difference and displacement:  twentieth-century Chinese-Western intercultural theatre.  Hong Kong: Hong Kong University Press, 2008.

Twentieth-century Chinese drama:  an anthology.  (ed. Gunn, Edward M.). Bloomington, IN: Indiana University Press, 1983.

Volpp, Sophie.  Worldly stage:  theatricality in seventeenth century China.  Harvard East Asian monographs; 267. Cambridge, Mass.: Harvard University Asia Center, 2006.

Wagner, Rudolph.  The contemporary Chinese historical drama:  Four studies.  Berkeley: University of California Press, 1990.

Wang, Aixue.  A Comparison of the Dramatic Work of Cao Yu and J. M. Synge.  Studies in Comparative Literature, Vol. 26. Lewiston: Edwin Mellen Press, 1999.

Williams, Dave.  The Chinese Other, 1850-1925:  An Anthology of Plays.  Lanham: University Press of America, 1997.

Williams, Dave.  Misreading the Chinese Character:  Images in Euroamerican Drama to 1925.  Asian Thought and Culture Series, Vol. 40. New York: Peter Lang Publishing, 2000.

Xin, Fengxia.  The Memoirs of Xin Fengxia.  (ed. trans. Chinnery, John). New York: Oxford University Press, 2002.

Ye, Tan.  Historical dictionary of Chinese theater.  Lanham, Md: Scarecrow Press, 2008.

Mixed 3-D
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Alley, Rewi; Garnsey, Wanda.  China, ancient kilns and modern ceramics:  a guide to the potteries.  New York: Australian National University Press, 1983.

Ancient artistry:  pre-Chinese ceramics and jades from the Shatzman collection.  (ed., Avril, Ellen, B.) Herbert F. Johnson Museum of Art. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, Cornell University, 2006.

Ashmolean Museum.  Catalogue of Chinese greenware.  Oxford: Clarendon Press, 1976.

Avril, Ellen B.  Heavenly earth:  early Chinese ceramics from the Shatzman collection.  Ithaca, NY: Herbert F. Johnson Museum of Art, 2004.

Bai, Su.; Brinker, Helmut; Mayer, Alexander L.; Nickel, Lukas; Zonghu, Zhang.  The Return of the Buddha, Chinese Buddhist Sculpture:  New Discoveries from Quingzhou, Shandong Province.  New York: Harry N. Abrams Incorporated, 2002.

Berliner, Nancy Zeng.  Beyond the screen:  Chinese furniture of the 16th and 17th centuries.  Boston: Museum of Fine Arts, 1996.

Berliner, Nancy Zeng.  Chinese Folk Art.  The Small Skills of Carving Insects.  Boston: New York Graphic Society, 1986.

Berliner, Nancy; Handler, Sarah.  Friends of the House:  Furniture from China's Towns and Villages.  Salem: Peabody Essex Museum, 1995.

Bled, C. E.  Understanding China through cartoons:  A current review illustrated by cartoons from People's Daily, Beijing, with interpretations gleaned from China Daily, Beijing.  Prepared under the auspices of the Institute for International Development and Co-operation, University of Ottawa. Ottowa: University of Ottawa, 1985.

Brown, Claudia.; Mowry, Robert D.; Grimm, Martha Winslow; Baker, Janet.  Weaving China's Past:  The Amy S. Clague Collection of Chinese Textiles.  Phoenix: Phoenix Art Museum, 2000.

Brown, Roxanna M.; Scott, Rosemary E.; Tan, Rita C.; Zhi-yan, Li; Diem, Allison I.  Chinese and south-east Asian white ware found in the Philippines.  New York: Oxford University Press, Incorporated, 1993.

Butler, Michael.  Seventeenth century Jingdezhen porcelain.  London: Scala, 2006.

Catalogue of the Special Exhibition of Emperors' Porcelain Taipei.  Torrance, CA: Heian International Publishing, Incorporated, 1986.

Central Asian textiles and their contexts in the early Middle Ages.  (eds., Otavsky, Karel, Bivar, A. D. H., Schorta, Regula, & Abegg-Stiftung) Riggisberger Berichte; 9. Riggisberg: Abegg-Stiftung, 2006.

Ch'ing Dynasty Enamelled Porcelain.  The Collections of the National Palace Museum, Taipei. Torrance, CA: Heian International Publishing, Incorporated, 1992.

Chang, Chao-Kang; Blaser, Werner; Stephenson, D. Q.  China:  tao in architecture.  Basel; Boston: Birkhauser Verlag, 1987.

Chapman, Jan.  The Art of Rhinoceros Horn Carving in China.  New York: Christie, Manson & Woods, Limited, 1999.

Chase, W. T.  Ancient Chinese bronze art:  casting the precious sacral vessel.  (contr. Lee, Jung May). China House Gallery, China Institute in America: dist. Seattle, WA: University of Washington Press, 1991.

Chen, Chaonan & Feng, Yiyou.  Old advertisements and popular culture:  posters, calendars, and cigarettes, 1900-1950.  1st edition. San Francisco : Long River Press, 2004.

Cheng, Liyao.  Private gardens.  Ancient Chinese Architecture Series. New York: Springer-Verlag New York, 1999.

Cheng, Liyao; Guo, Fangming.  Chinese Classical Gardens.  Beijing: Wanhai Books, 1999.

Chin, Manly.  The painterly lens.  New York: Oxford University Press, Incorporated, 1992.

China in Venice:  from the Han Dynasty to Marco Polo.  Milano: Electa, 1986.

China:  dawn of a golden age, 200-750 AD.  (ed. Watt, James C. Y. et. al). New York: Metropolitan Museum of Art; New Haven: Yale University Press, 2004.

Chinese Embroidered Purses.  Torrance, CA: Heian International Publishing, Incorporated, 1992.

The Chinese Scholar's Mind.  New York: Chambers Fine Art LLC, 2001.

Chinese sculpture.  (ed., Howard, Anglea Falco) Culture & civilization of China. New Haven: Yale University Press, 2006.

Chou, Ju-hsi.  Circles of Reflection:  The Carter Collection of Chinese Bronze Mirrors.  Cleveland: Cleveland Museum of Art; 2001.

Clarke, John.  Jewellery of Tibet and the Himalayas.  London: V&A, 2004.

Classical Chinese architecture.  (trans. Wong Chi Kui; Chung Wah Nan). 2nd ed. Chinese Academy of Architecture, Hong Kong: Joint Publishing Co., 1986

The Complete Collection of Treasures of the Palace Museum:  Porcelain of the Jin and Tang Dynasties.  Beijing: Commercial Press, 1996.

The Complete Collection of Treasures of the Palace Museum:  Porcelain of the Song Dynasty.  Vol. 1. Beijing: Commercial Press, 1996.

The Complete Collection of Treasures of the Palace Museum:  Porcelain of the Song Dynasty.  Vol. 2. Beijing: Commercial Press, 1996.

The Complete Collection of Treasures of the Palace Museum Jadeware.  Vol. 1. Beijing: Commercial Press, 1996.

The Complete Collection of Treasures of the Palace Museum Jadeware.  Vol. 2. Beijing: Commercial Press, 1996.

The Complete Collection of Treasures of the Palace Museum Jadeware.  Vol. 3. Beijing: Commercial Press, 1996.

D'Argence, Rene-Yvon L.  Bronze vessels of ancient China in the Avery Brundage collection.  Seattle, WA: University of Washington Press, 1977.

Dept of Architecture.  The Living Building:Vernacular Environments of South China.  Hong Kong: Chinese University Press, 1994.

Dickinson, Gary; Wrigglesworth, Linda.  Imperial Wardrobe.  New York: Ten Speed Press, 2000.

Doran, Valerie C.; Rosenblum, Richard.  Art of the Natural World:  Resources of Wild Nature in Chinese Sculptural Art.  Boston: Museum of Fine Arts, 2001.

Dress, sex and text in Chinese culture.  (ed. Finnane, Antonia). Melbourne: Monash Asia Institute, 1999.

Early Ming Porcelain.  Torrance, CA: Heian International Publishing, Incorporated, 1982.

Fairbank, Wilma.  Liang and Lin:  partners in exploring China's architectural past.  Philadelphia, PA: University of Pennsylvania Press, 1994.

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Four centuries of silver:  personal adornment in the Qing dynasty and after.  (ed. Duda, Margaret; photo. Duda, Paul, illus. Gao, Chunming). Chicago: Art Media Resources; Singapore: Times Editions, 2003.

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Jacobsen, Robert D.  Imperial silks:  Ch'ing Dynasty textiles in the Minneapolis Institute of Arts.  Chicago: Art Media Resources, Limited, 2000.

Jacobsen, Robert D.  Classical Chinese Furniture in the Minneapolis Institute of Arts.  Chicago: Art Media Resources, 1999.

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Krahl, Regina; Juliano, Annette.  Dawn of the Yellow Earth:  Ancient Chinese Ceramics from the Meiyintang Collection.  Chicago: Art Media Resources, 2000.

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Monochrome Porcelain of the Ch'ing Dynasty.  The Collections of the National Palace Museum, Taipei. Torrance, CA: Heian International Publishing, Incorporated, 1994.

Mowry, Robert D.; Cuno, James; Farrell, Eugene; Rousmaniere, Nicole C.  Hare's Fur, Tortoiseshell and Partridge Feathers:  Chinese Brown- and Black-Glazed Ceramics, 400-1400.  Cambridge: Harvard University Art Museums, 1997.

Nadler, Daniel.  China to order:  Focusing on the 19th century and surveying polychrome export porcelain produced during the Qing Dynasty 1644-1908.  Paris: Vilo International, 2001.

Nanjing Museum.  Treasures in the royalty:  the official kiln porcelain of the Chinese Qing dynasty.  Chinese and English. Shanghai: Shanghai wen hua chu ban she, 2003.

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Out of the red:  the new emerging generation of Chinese photographers.  (eds. Albertini, Andra & Marella, Primo). Bologna: Damiani, 2004.

Pagani, Catherine.  "Eastern magnificence and European ingenuity":  Clocks of late imperial China.  Ann Arbor: University of Michigan Press, 2001.

Pottery and metalwork in Tang China:  Their chronology and external relations.  (ed. Watson, William). A colloquy held 29 June to 2 July 1970. Colloquies on Art and Archaeology in Asia, No. 1. London: University of London: Percival David Foundation of Chinese Art, School of Oriental and African Studies, 1976.

Powell, Patricia; Huo, Shitao.  Mao's graphic voice:  Pictorial posters from the Cultural Revolution.  Madison: Elvehjem Museum of Art, University of Wisconsin--Madison, 1996.

Power dressing:  textiles for rulers and priests from the Chris Hall collection.  Singapore: Asian Civilisations Museum, 2006.

Powers, Martin Joseph.  Pattern and person:  ornament, society, and self in classical China.  Harvard East Asian monographs; 262. Cambridge, Mass.: Harvard University Asia Center, 2006.

Printing and book culture in late Imperial China.  (eds. Brokaw, Cynthia & Chow, Kai-wing). Berkeley: University of California Press, 2005.

Qian, Gonglin.  Chinese fans:  artistry and aesthetics.  San Francisco: Long River Press, 2004.

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Return of the Buddha:  the Qingzhou discoveries.  (ed. Nickel, Lukas). Catalogue published on the occasion of an exhibition at the Royal Academy of Arts, London, April 26-July 14, 2002. London: Royal Academy of Arts, 2002.

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Sacred architecture in the traditions of India, China, Judaism and Islam.  (ed. Lyle, Emily B.). Edinburgh: Edinburgh University Press, 1992.

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Siew, Lim Kean.  The Beauty of Chinese Yixing Teapots and the Finer Arts of Tea Drinking.  Singapore: Times Books International, 2001.

Silver and silk:  textiles and jewelry of Guizhou, China: selections from the collection of Mingei International Museum.  (eds. Longenecker, Martha; Sidner, Rob: photo: McDaniel, Phila; Gardiner, Lynton). A Mingei International Exhibition Documentary. San Diego, CA: Mingei International Museum, 2002.

Siraen, Osvald.  Chinese Sculpture from the Fifth to the Fourteenth Century:  Over 900 Specimens in Stone, Bronze, Lacquer and Wood, Principally from Northern China.  Chicago: Art Media Resources, 1998.

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Wang, Ling.  Tea and Chinese culture.  San Francisco: Long River Press, 2005.

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Wang, Renchong; You, Xuehua.  The Art of Chinese Seals Through the Ages.  Chicago: Art Media Resources, 2000.

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Music
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Lives in Chinese music.  (ed. Rees, Helen). Urbana: University of Illinois Press, 2009.

Baranovitch, Nimrod.  China's New Voices:  Popular Music, Ethnicity, Gender, and Politics, 1978-1997.  Berkeley: University of California Press, 2003.

Birrell, Anne.  Popular Songs and Ballads of Han China.  Honolulu, HI: University of Hawai'i Press, 1993.

Brand, Manny.  The teaching of music in nine Asian nations:  comparing approaches to music education.  Lewiston, N.Y.: E. Mellen Press, 2006.

China and the West:  the birth of a new music.  (eds. Green, Edward; Liang, Lei). Basingstoke, Hampshire, UK: Taylor & Francis, 2007.

Cho, Gene J.  The discovery of musical equal temperament in China and Europe in the sixteenth century.  Studies in the History and Interpretation of music, Vol. 93. Lewiston, N.Y.: Edwin Mellen Press, 2003.

Comparative Musicology and Anthropology of Music:  Essays on the History of Ethnomusicology.  (eds. Nettl, Bruno; Bohlman, Philip). Chicago: University of Chicago Press, 1991

Cook, Scott Bradley.  Unity and diversity in the musical thought of Warring States China.  Thesis (Ph. D.) -- University of Michigan. Ann Arbor: University Microfilms International, 1995.

Du, Yaxiong.  Ritual music in a North China village:  the continuing Confucian and Buddhist heritage.  1st edition. Chicago: Chinese Music Society of North America, 2004.

East Asia, China, Japan and Korea.  (ed. Witzleben, J. Lawrence). Encyclopedia of World Music Series, Vol. 7. (includes CD-ROM). New York: Garland Publishing, 1999.

Falkenhausen, Lothar von.  Suspended music:  chime-bells in the culture of Bronze Age China.  Berkeley: University of California Press, 1994.

Furniss, Ingrid Maren.  Music in ancient China:  an archaeological and art historical study of strings, winds, and drums during the Eastern Zhou and Han periods (770 BCE-220 CE) .  Amherst, NY: Cambria Press, 2008.

The Garland encyclopedia of world music. Volume 7, East Asia:  China, Japan, and Korea  (eds. Provine, Robert C.; Tokumaru, Yoshihiko; Witzleben, J. Lawrence). New York: Routledge, 2002.

Goldstein, Joshua.  Drama kings:  players and publics in the re-creation of Peking opera, 1870-1937.  Berkeley, CA: University of California Press, 2007.

Granet, M.  Festivals and songs of ancient China.  New York: Krishna Press, 1973.

Green, G. P.  Some Aspects of Chinese Music and Some Thoughts and Impressions on Art Principles in Music.  Temecula: Best Books, 2001.

Gutierrez, Peter.  Eastern Asia.  Portsmouth, NH: Heinemann, 2007.

Harris, Rachel.  The making of a musical canon in Chinese Central Asia:  the Uyghur Twelve Muqam.  Burlington, Vermont: Ashgate, 2008.

Harris, Rachel.  Singing the Village:  Music, Memory and Ritual among the Sibe of Xinjiang  Oxford; New York: Oxford University Press, 2005.

Jones, Andrew F.  Like a Knife:  Ideology and Genre in Contemporary Chinese Popular Music.  Ithaca: Cornell East Asia Institute, 1992.

Jones, Andrew F.  Yellow Music, Media Culture and Colonial Modernity in the Chinese Jazz Age.  Durham: Duke University Press, 2001.

Jones, Stephen.  Ritual and music of North China:  shawm bands in Shanxi.  Burlington, Vermont: Ashgate, 2007.

Jones, Stephen.  Ritual and Music of North China:  Shaanbei.  Burlington, Vermont: Ashgate, 2009.

Jones, Stephen.  Folk music of China:  Living instrumental traditions.  New York: Oxford University Press, Incorporated, 1995.

Jones, Stephen.  Plucking the winds:  lives of village musicians in old and new China.  Leiden: CHIME Foundation, 2004.

Jones, Stephen.  Folk Music of China:  Living Instrumental Traditions.  New York: Oxford University Press, 1999.

Kraus, Richard C.  Pianos and politics in China:  middle-class ambitions and the struggle over Western music.  New York: Oxford University Press, 1989.

Kraus, Richard.  Pianos and politics in China:  Class, nationalism and the controversy over western music.  New York: Oxford Press, 1989.

Kuo, Alex.  Chinese Opera.  Hong Kong: Asia Two Thousand, 1999.

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Lam, Joseph S.  State Sacrifices and Music in Ming China:  Orthodoxy, Creativity, and Expressiveness.  SUNY Series in Chinese Studies. Albany: State University of New York Press, 1998.

Lau, Frederick.  Music in China:  experiencing music, expressing culture.  New York: Oxford University Press, 2007.

Li, Gong; Magowan, Robin.  Chinese Opera.  New York: Abbeville Press, 2001.

Lian, Xinda.  The Wild and Arrogant:  Expression of Self in Xin Qiji's Song Lyrics.  Asian Thought and Culture Series, Vol. 34. New York: Peter Lang Publishing, 1999.

Liang, Mingyue.  Music of the Billion:  An Introduction to Chinese Musical Culture.  New York: Heinrichshofen Edition C.F. Peters, 1985.

Ling, Shu-hua.  Ancient melodies.  Reprint of London: Hogarth Press, 1953. New York: Universe Books, 1988.

Liu Ching-An.  Women in folksongs.  Pasadena, CA: The Oriental Book Store, 1985.

Lives in Chinese music.  (ed. Rees, Helen). Chamnpaign, Illinois: University of Illinois Press, 2009.

Lovrick, Peter.  Chinese Opera:  Images and Stories.  Seattle: University of Washington Press, 1997.

Mackerras, Colin P.  Rise of the Peking Opera 1770-1870:  social aspects of the theatre in Manchu China.  New York: Oxford University Press, Incorporated, 1972.

Melvin, Sheila & Cai, Jindong.  Rhapsody in red:  how classical music became Chinese.  New York: Algora Pub., 2004.

Mittler, Barbara.  Dangerous Tunes:  The Politics of Music in Hong Kong, Taiwan, and the PRC since 1949.  Wiesbaden: Harrassowitz, 1997.

Moskowitz, Marc L.  Cries of joy, songs of sorrow:  Chinese pop music and its cultural connotations.  Honolulu: University of Hawai'i Press, 2010.

Music from the Tang Court.  (eds. Picken, Laurence; Nickson, Noel J.). Vol. 5. New York: Cambridge University Press, 1990.

New Music in the Orient:  Essays on Composition in Asia since World War II.  (ed. Ryker, Harrison). Buren, The Netherlands: F. Kunf, 1990.

Operatic ritual, ritual opera:  'Mu-lien rescues his mother' in Chinese popular culture.  (ed. Johnson, David). Berkeley, CA: University of California Press, 1989.

Pegg, Carole.  Mongolian music, dance and oral narrative:  Performing diverse identities.  Seattle: University of Washington Press, 2001.

Perris, Arnold.  Music as Propaganda:  Art to Persuade and to Control.  Westport: Greenwood Press, 1985.

Pian, Rulan Chao.  Sonq dynasty musical sources and their interpretation.  Harvard-Yenching Institute. Monograph Series, V. 16. Cambridge: Harvard University Press, 1967.

Picken, Laurence E. R.  Music from the Tang Court 7:  Some Ancient Connections Explored.  New York: Cambridge University Press, 2000.

Rees, Helen.  Echoes of History:  Naxi Music in Modern China.  Book and CD-ROM. Oxford; New York: Oxford University Press, 2000.

Schimmelpenninck, Antoinet.  Chinese Folk Songs and Folk Singers:  Shan'ge Traditions in Southern Jiangsu.  Leiden: CHIME Foundation, 1997.

Shen, Sin-yan.  Chinese Music in the 20th Century.  Chinese Music Monograph Series, Vol. 4. Woodridge: Chinese Music Society of North America, 2001.

Shen, Sinyan.  China:  A Journey into Its Musical Art.  Chinese Music Monograph Series. Woodridge: Chinese Music Society of North America, 1999.

So, Jenny F.  Music in the Age of Confucius.  Seattle: University of Washington Press, 2000.

Stock, Jonathan P. J.  Musical Creativity in Twentieth-Century China:  Abing, His Music, and its Changing Meanings.  Rochester: University of Rochester Press, 1996.

Stock, Jonathan P. J.  Huju:  traditional opera in modern Shanghai.  Oxford; New York: Published for the British Academy by Oxford University Press, 2003.

Thrasher, Alan R.  Chinese Musical Instruments.  Images of Asia Series. New York: Oxford University Press, 2000.

Thrasher, Alan R..  Sizhu instrumental music of South China:  ethos, theory and practice.  Leiden, The Netherlands: Brill, 2008.

Tokens of Exchange:  The Problem of Translation in Global Circulations.  (ed. Liu, Lydia H.). Durham: Duke University Press, 1999.

Tradition and Change in the Performance of Chinese Music.  (ed. Tsao, Penyeh). Newark: Gordon & Breach Publishing Group, 1998.

Unity and discord:  music and politics in contemporary Tibet.  London; Jackson, WY: Tibet Information Network, 2004.

Wichmann, Elizabeth.  Listening to Theatre:  The Aural Dimensions of Beijing Opera.  Honolulu: University of Hawai'i Press, 1991.

Witzleben, Laurence.  'Silk and Bamboo' Music in Shanghai:  The Jiangnan Sizhu Instrumental Ensemble Tradition.  Kent, Ohio: The Kent State University Press, 1995.

Yung, Bell.  Cantonese Opera:  Performance as Creative Process.  Cambridge: Cambridge University Press, 1989.

Zheng, Su.  Claiming Diaspora:  Music, Transnationalism, and Cultural Politics in Asian/Chinese America.  Oxford; New York: Oxford University Press, 2006.

Painting
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Ancient China's painters.  San Francisco, CA: China Books & Periodicals, Incorporated, 1979.

Andrews, Fred H..  Wall paintings from ancient shrines in Central Asia.  Hong Kong: Orchid Press, 2006.

Andrews, Fred H.; Stein, Aurel, Sir.  Catalogue of wall-paintings from ancient shrines in Central Asia and Sistan.  Reprint. Originally published: London: Oxford University Press, 1933. New Delhi: Cosmo, 1981.

Baker, Ian; Laird, Thomas.  The Dalai Lama's Secret Temple:  Tantric Wall Paintings from Tibet.  New York: Thames & Hudson, 2000.

Bao, Yuheng , Mu, Lin , & Lane, Letitia.  Art and Artists of Chinese Modern Painting, 1890-1949.  Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2005.

Biblical Art and the Asian Imagination:  Representations of Biblical Narratives in Thailand, China, Sri Lanka and Bali.  (Pongracz, Patricia C.; Cook, John W.; Gates, Mimi ). London: D Giles Limited, 2005.

Bickford, Maggie.  Ink Plum:  The Making of a Chinese Scholar-Painting Genre.  New York: Cambridge University Press, 1996.

Bickford, Maggie.  Ink Plum:  The Making of a Chines Scholar-Painting Genre.  New York: Cambridge University Press, 1996.

Cahill, James.  The painter's practice:  how artists lived and worked in traditional China.  New York: Columbia University Press, 1995.

Chinese Painting from the Shanghai Museum 1851-1911.  (ed. Chung, Anita). Edinburgh: National Museums of Scotland Publishing, 2000.

Chou, Yeongchau.  Reexamination of Tang Hou and his Huajian.  Thesis (Ph. D.) -- Univeristy of Kansas, 2001. Ann Arbor: University Microfilms International, 2001.

Clunas, Craig.  Pictures and Visuality in Early Modern China.  Reaktion Books. Chicago: University of Chicago Press, 2005.

Clunas, Craig.  Elegant debts:  the social art of Wen Zhengming, 1470-1559  Honolulu: University of Hawai'i Press, 2004.

The Complete Collection of Treasures of the Palace Museum:  Paintings by Wang Shimin, Wang Tian, Wang Hui, Wang Yuangi, Wu Li and Yun Shouping.  Beijing: Commercial Press, 1996.

Dalai Lama XIV.  The Buddha's Art of Healing:  Tibetan Paintings Rediscovered.  New York: Rizzoli International Publications, 1998.

De Silva, Anil.  The Art of Chinese Landscape Painting In the Caves of Tun-Huang.  New York: Crown, 1964.

Evaluations of Sung dynasty painters of renown:  Liu Tao-Chiun's Sung-Ch'ao Ming-Hua P'ing.  Kinderhook, NY: E. J. Brill U. S. A., Incorporated, 1990.

The face of contemporary art in China.  Washington, D. C.: Board of Governors of the Federal Reserve System, 2006.

Fang, Jing Pei.  Symbols and rebuses in Chinese art:  figures, bugs, beasts, and flowers.  New York: Random House, 2004.

Flath, James A.  The cult of happiness:  nianhua, art, and history in rural north China.  1st edition. Seattle: University of Washington Press, 2004.

Fraser, Sarah Elizabeth.  Performing the visual:  the practice of Buddhist wall painting in China and Central Asia, 618-960.  Stanford: Stanford University Press, 2004.

From tradition to modernity: Centennial anthology of painting and calligraphy by Xie Zhiliu.  Rong gu kai jin: Ji nian Xie Zhiliu bai nian dan chen shu hua jing pin ji.  Shanghai: Shanghai Museum, 2009.

Fu, Li-tsui Flora.  Framing Famous Mountains:  Grand Tour and Mingshan Paintings in Sixteenth-Century China.  Hong Kong: The Chinese University Press, 2009.

Guang, Rusi.  Chinese characters:  their art and wisdom.  Mineola, NY: Dover Publications, 2007.

Harrist, Robert E.; Li, Kung-Lin.  Painting and Private Life in Eleventh-Century China:  Mountain Villa by Li Gonglin.  Princeton: Princeton University Press, 1998.

Hong Kong Art Museum.  The Cheng Xun Tang collection of painting and calligraphy on fans.  Hong Kong: Chinese University Press, 1996.

Howard, Angela Falco, Li Song, Wu Hung, and Yang Hong.  Chinese Sculpture.  The Culture & Civilization of China. New Haven, CT Yale University Press, 2006.

Kuo, Jason C.; Newland, Joseph N.  Chinese ink painting now.  Marquand Books; New York , N.Y. D.A.P./Distributed Art Publishers, 2010.

Laing, Ellen J.  An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists.  Michigan Monographs in Chinese Studies, Vol. 76. Ann Arbor: Center for Chinese Studies Publications, 1998.

Laing, Ellen Johnston.  Selling happiness:  calendar posters and visual culture in early-twentieth-century Shanghai.  Honolulu: University of Hawai'i Press, 2004.

Lee, Sonya S.  Nirvana imagery in medieval Chinese art  Thesis (Ph. D.)--University of Chicago, Dept. of Art History, Ann Arbor: Universtiy Microfilms International, 2004.

Lew, William W.,  The fisherman in Yuan painting and literature as reflected in Wu Chen's Yu-Fu T'U in the Shanghai Museum.  Thesis (Ph.D.) -- Ohio University. Ohio: Ohio University, 1976.

Lin, Xiaoping.  Wu Li , 1632-1718:  His Life, His Paintings.  Lanham: University Press of America, 2000.

Linrothe, Robert N.  Paradise and plumage:  Chinese connections in Tibetan Arhat painting.  New York: Rubin Museum of Art; Chicago: Serindia Publications, 2004.

Liscomb, Kathlyn M.  Learning from Mt. Hua:  a Chinese physician's illustrated travel record and painting theory.  New York: Cambridge University Press, 1993.

Loehr, Max.  The Great Painters of China.  Oxford: Phaidon, 1980.

Lust, John.  Chinese Popular Prints.  Handbook of Oriental Studies. Part 4 China, 11. Leiden: Brill Academic Publishers, 1996.

Mair, Victor H.  Painting and Performance:  Chinese Picture Recitation and Its Indian Genesis.  Honolulu: University of Hawai'i Press, 1997.

The monk and the demon:  contemporary Chinese art..  Milano: 5 continents; Lyon (F): Mus?e d'art contemporain, 2004.

Ning, Qiang.  Art, religion, and politics in medieval China:  the Dunhuang cave of the Zhai Family.  Honolulu: University of Hawai? Press, 2004.

Ortiz, Valerie M.  Dreaming the Southern Song Landscape:  The Power of Illusion in Chinese Painting.  Studies in Asian Art & Archaeology, Vol. 22. Boston: Brill Academic Publishers, 1999.

Regeneration:  Contemporary Chinese Art from China and the US.  Lewisburg: Samek Art Gallery, Bucknell University, 2004.

Sassoli de Bianchi, Lorenzo.  China:  contemporary painting.  Bologna: Damiani, 2005.

Sung, Yu.  San Diego Museum of Art:  Selections from the Collection of Chinese Art.  San Diego: San Diego Museum of Art, 1999.

Till, Barry.  The Manchu era (1644-1912), arts of China's last imperial dynasty.  (French and English). Victoria, B.C.: Art Gallery of Greater Victoria, 2004.

Toda, Teisuke.  American and Canadian Collections.  Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 1. Tokyo: University of Tokyo Press; 1999.

Toda, Teisuke.  Japanese Collections.  Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 3. Tokyo: University of Tokyo Press; 1999.

Toda, Teisuke.  Asian and European Collections.  Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 2. Tokyo: University of Tokyo Press; 1999.

Toda, Teisuke.  General Indexes.  Comprehensive Illustrated Catalogue of Chinese Paintings Series, Second Series, Vol. 4. Tokyo: University of Tokyo Press; 1999.

Twentieth-century Chinese painting.  (ed. Kao, Mayching). New York: Oxford University Press, Incorporated, 1988.

Vainker, Shelagh J.  Modern Chinese Painting:  The Reyes Collection in the Ashmolean Museum, Oxford.  Oxford: Ashmolean Museum, 2000.

Wang, Tong.  Mao on the wall.  1st ed. Hong Kong: China Tushu Pub., 2006.

Wicks, Ann B.  Painting Paradise:  The Art of Ting Shao Kuang.  San Francisco: China Books & Periodicals, 1998.

Wong, Aida Yuen.  Parting the mists:  discovering Japan and the rise of national-style painting in modern China.  Asian interactions and comparisons. Honolul: Association for Asian Studies; University of Hawai'i Press, 2006.

Wu, Hung.  Transience:  Chinese Experimental Art at the End of the Twentieth Century.  Chicago: University of Chicago Press, 2004.

Wu, Marshall P. S.  The Orchid Pavilion Gathering:  Chinese Painting from the University of Michigan Museum of Art.  Set. Seattle, WA: University of Washington Press, 2000.

Xu, Weiyuan.  A study of Chinese colour terminology.  Munchen: LINCOM Europa, 2007.

Yan, Chen.  Chinese Animal Designs.  Mineola, NY: Dover Publications, Incorporated, 2005.

Yang, Hsin; Barnhart, Richard; Cahill, James; Wu Hung; Yang Xin; Nie, Chongzheng; Lang, Shaojun.  Three Thousand Years of Chinese Painting.  Culture and Civilization of China Series. New Haven: Yale University Press, 1997.

Yunhua, H.  Art of Chinese miniature landscape.  New York: State Mutual Book & Periodical Service, Limited, 1989.

Poetry
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Ancient China's poets.  San Francisco, CA: China Books & Periodicals, Incorporated, 1979.

Autumn willows:  poetry by women of China's golden age.  (trans. Chow, Bannie; Cleary, Thomas). Ashland, OR: Story Line Press, 2003.

Butterfly mother:  Miao (Hmong) creation epics from Guizhou, China.  (eds., Jin, Dan, Ma, Xueliang, & Bender, Mark) Indianapolis: Hackett Pub. Co., 2006.

Chaves, Jonathan.  The Chinese Painter as Poet.  New York: China Institute Gallery, China Institute in America, 2001.

Chen, Jack Wei.  Denying imperial bodies:  Tang Taizong and the politics of sovereignty.  Thesis (Ph. D., Dept. of Comparative Literature)--Harvard University, 2002. Ann Arbor: University Microfilms International, 2003.

Chinese Poetry:  An Anthology of Major Modes and Genres.  (ed. Yip, Wai-Lim.). 2nd Edition. Durham: Duke University Press, 1997.

Chinese women traversing diaspora:  Memoirs, essays and poetry.  (ed. Hom, Sharon K.). Gender, Culture, & Global Politics Series, Vol. 3. New York: Garland Publishing, 1999.

The Clouds Should Know Me by Now:  Buddhist Poet Monks of China.  (ed. Pine, Red). Somerville: Wisdom Publications, 1998.

Crevel, Maghiel van.  Chinese poetry in times of mind, mayhem and money.  Leiden, The Netherlands: Brill, 2008.

Dunn, Hugh.  Cao Zhi:  The Life of a Princely Chinese Poet.  (On Demand). Miami: University Press of the Pacific, 2000.

DuoDuo - Crossing the Sea, Poems in Exile - Poems in China.  (eds. Robinson, Lee; Ricci, Nino). Toronto: House of Anansi Press, 1998.

Ezra Pound and China.  (ed. Qian, Zhaoming). Essays originally presented at the 18th International Ezra Pound Conference held in Beijing, China, July 16-19, 1999. Ann Arbor: University of Michigan Press, 2003.

Frontier Taiwan:  An Anthology of Modern Chinese Poetry.  (ed. Yeh, Michelle). Modern Chinese Literature from Taiwan Series. New York: Columbia University Press, 2001.

Fung, Sydney S. K.  25 T'ang poets:  index to English translations.  Hong Kong: Chinese University Press, 1984.

Galimba, Michelle Maile.  Form and transformation in the fu of Su Shi (1037--1101).  Thesis (Ph. D.) -- University of California Berkeley, 1999. Ann Arbor: University Microfilms International, 1999.

Grant, Beata.  Daughters of emptiness:  poems of Chinese Buddhist nuns.  Somerville, MA: Wisdom Publications, 2003.

Ho, Richard M. W.  Ch'en Tzu-ang:  Innovator in T'ang Poetry.  Hong Kong: Chinese University Press, 1997.

Ho, Richard M. W.  Ch'en Tzu-Ang:  innovator in T'ang poetry.  Hong Kong: Chinese University Press, 1993.

Holzman, Donald.  Immortals, Festivals, and Poetry in Medieval China.  Variorum Collected Studies, Vol. CS623. Aldershot: Ashgate Publishing, Limited, 1998.

Hsieh, Daniel.  The Evolution of Jueju Verse.  Asian Thought and Culture Series, Vol. 12. New York: Peter Lang Publishing, 1996.

Huang, Guiyou.  Whitmanism, Imagism, and Modernism in China and America.  Susquehanna: Susquehanna University Press, 1997.

Huang, Xiang.  A bilingual edition of poetry out of Communist China.  Lewiston, N.Y.: Edwin Mellen Press, 2004.

Johnson, Steven R.  Where the world does not follow:  Buddhist China in picture and poem.  (ed. trans. O'Connor; photo. Johnson, Steven R.). Boston: Wisdom Publications, 2003.

Kowallis, Jon Eugene von.  The subtle revolution:  poets of the "old schools" during late Qing and early Republican China.  Berkeley, CA: Institute of East Asian Studies, 2005.

Kroll, Paul W..  Studies in Medieval Taoism and the Poetry of Li Po.  Surrey, United Kingdom: Variorum, 2009.

Kroll, Paul W..  Essays in Medieval Chinese Literature and Cultural History.  Surrey, United Kingdom: Variorum, 2009.

Landau, Julie.  Beyond Spring:  Tzu Poems of the Sung Dynasty.  New York: Columbia University Press, 1997.

Lee, Gregory B.  Troubadours, Trumpeters, Troubled Makers:  Lyricism, Nationalism, and Hybridity in China and Its Others.  Durham, NC: Duke University Press, 1996.

Levy, Dore J.  Chinese narrative poetry:  the tradition in Shih from the late Han through T'ang dynasties.  Durham, NC: Duke University Press, 1988.

Li, Dian.  The Chinese Poetry of Bei Dao, 1978-2000:  Resistance and Exile.  Lewiston, New York; Ceredigion, UK: Edwin Mellen Press, 2006.

Mao Zedong.  Snow Glistens on the Great Wall:  The Complete Poetical Works of Mao Tse-Tung.  (ed. trans. Wen-Yee, Ma; illus. Usher, Fred). Santa Barbara: Santa Barbara Press, 1985.

Mi, Jiayan.  Self-fashioning and reflexive modernity in modern Chinese poetry, 1919-1949.  Lewiston, N.Y.: E. Mellen Press, 2004.

Mott, Glenn.  Analects on a Chinese screen.  Tucson: Chax Press, 2007.

Mountain home:  the wilderness poetry of ancient China.  (ed. Hinton, David). Washington, D.C.: Counterpoint, 2002.

Murck, Alfreda.  Poetry and Painting in Song China:  The Subtle Art of Dissent.  Harvard-Yenching Institute Monograph Series. Cambridge: Harvard University Press, 2000.

Murray, Julia K.  Ma Hezhi and the Illustration of the Book of Odes.  New York: Cambridge University Press, 1993.

Owen, Stephen.  Late Tang:  Chinese poetry of the mid-ninth century (827-860).  Harvard East Asian Monographs 264. Cambridge, MA: Harvard University Press, 2006.

Owen, Stephen.  Making of early Chinese classical poetry.  Harvard East Asian Monographs: 261 Cambridge, MA: Harvard University Press, 2006.

Parry, Amie Elizabeth.  Interventions into modernist cultures:  poetry from beyond the empty screen.  Durham, NC: Duke University Press, 2007.

Poems of the masters:  China's classic anthology of T'ang and Sung dynasty verse.  (eds. Pine, Red; Porter, Bill). 1st edition. English and Chinese. Port Townsend, Wash.: Copper Canyon Press, 2003.

Qian, Zhaoming.  The modernist response to Chinese art: Pound, Moore, Stevens.  Charlottesville: University of Virginia Press, 2003.

Radtke, Kurt W.  Poetry of the Yuan Dynasty.  Faculty of Asian Studies Monographs, New Series, Vol. 5. Canberra: Australian National University, Faculty of Asian Studies, 1997.

Ropp, Paul S.  Banished Immortal:  Searching for Shuangqing, China's Peasant Woman Poet.  Ann Arbor: University of Michigan Press, 2001.

Rothenberg, Jerome.  China notes & The treasures of Dunhuang.  Tokyo: Ahadada Books, 2006.

Schmidt, J. D.  Stone Lake:  the poetry of Fan Chengda, 1126-1193.  New York: Cambridge University Press, 1992.

Schmidt, J. D.  Within the human realm:  the poetry of Huang Zunxian, 1848-1905.  New York: Cambridge University Press, 1994.

Serrano, Richard.  Neither a Borrower:  Forging Traditions in French, Chinese and Arabic Poetry.  Studies in Comparative Literature Series, No. 7. Oxford: European Humanities Research Centre, 2001.

The translation of art:  essays on Chinese painting and poetry.  (ed. Watt, James C. Y.). Seattle, WA: University of Washington Press, 1976.

Tu Fu.  Selected Poems.  (ed. Chih, Feng). Hong Kong: The Commercial Press, Ltd., 1977.

Wang, C. H.  From ritual to allegory:  early Chinese poetry.  Hong Kong: Chinese University Press, 1988.

Wong, Kai-chee  A research guide to English translation of Chinese verse.  Hong Kong: Chinese University Press, 1977.

Wong, Yoon Wah.  Ssu-K'ung Tu:  a poet critic of the T'ang.  Hong Kong: Chinese University Press, 1976.

Wu, Fusheng.  Written at Imperial Command:  Panegyric Poetry in Early Medieval China.  Albany, New York: State University of New York Press, 2009.

Wu, Fusheng.  The Poetics of Decadence:  Chinese Poetry of the Southern Dynasties and Late Tang Periods.  Series in Chinese Philosophy and Culture. Albany: State University of New York Press, 1998.


To contribute to the bibliography, please send e-mail to:
Marilyn Shea
Department of Psychology
University of Maine at Farmington
mshea@maine.edu

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